Tag: Writing (page 9 of 47)

Querying Do’s and Don’ts

Courtesy Valve

“Professionals have standards: Be polite. Be efficient. Have a plan to kill everyone you meet.”

Believe it or not, there’s a lesson to be learned from the Sniper of Team Fortress 2 if you’re a writer looking to get published. And it doesn’t have anything to do with shooting people or covering them in piss. At least, it shouldn’t. I know it’s frustrating, it can get tedious and nerve-wracking, but seriously, but the gun and/or jar down. Right now.

You don’t want to kill agents. That’s bad form. What you do want is to blow them out of the water.

While I don’t know precisely how to do that – if I did, I wouldn’t still be looking for an agent – I do have a vague idea of how the process works and some things not to do in the query itself. I’ve even extended my passing knowledge into a video game metaphor. Still, I’m sure I’m not the only one struggling with writing the damn thing. Here, then, is a quick list of dos and donts I’ve gleaned from my personal experience, that of others and the dark recesses of the Internets.

Do Be Professional

Present yourself professionaly. You might not be showing up in their mailbox in a suit and tie, but you can ensure your query comes close. Correct spelling & grammar, short sentences that don’t waste the agent’s time, getting to the point – all of these things will make your query look sharp. Follow their guidelines and include everything they ask for, and nothing they don’t. If they want a sample, include one and do so in your first attempt. Send a query twice to the same agent the same day, and you’ll get thrown out. It’s nothing personal – they just don’t have the time for spam. Who does?

Don’t Be Pushy

It’s one thing to send a query twice by accident (whups, forgot the sample chapters again!). It’s quite another to do it ON PURPOSE. Once you send your query, that’s it. You may hear nothing but silence in response. Get used to that, and don’t bother the agent. The more you try to get their attention related to a query they may be ignoring or rejecting for a perfectly good reason, the more likely the answer is going to be “No.” Or maybe a restraining order. You don’t want to wake up with the bloody head of your manuscript in your bed, either.

Do Be Polite

In the wording and presentation of both your query and your work, put your best foot forward. It’s possible to be professional and also be completely cold. Don’t be that way. Who wants to work with someone with zero personality? Show you’re someone willing to work with other people, to talk about your work professionally and build a relationship with the agent. The challenge, here? You’ll have to do it in a sentence, maybe two. You have to make the agent interested in you as much as they’d be interested in your work. It’s one of the unspoken tricks necessary in hooking the agent.

Don’t Be Pissy

The difference between getting frustrated and getting mad is that frustration can be used to fuel persistence (see below), while anger leads to the aforementioned pestering and urination. It’s a subtle difference but it’s all in how you use the negative emotions that inevitably come from rejection and silence, which can arguably worse for the struggling writer (again, see below).

Do Be Persistant

Querying is not a passive thing. You can’t just find a couple agents through the Internet, dash off some lackluster queries and sit back waiting for the love to pour in. You should be taking a look at your query every day, refining it, making sure it’s polished. And when another week has passed with no response? Find more agents to send it to. Hit a library or bookstore, jot down more contact information and get to querying. Do it by email, snail mail, carrier pigeon, bricks through windows*. Keep sending them out. Sooner or later you’ll find the the one that simply cannot live without reading more of your work.

Don’t Kick Yourself Too Hard When You Get Rejected

Not every agent is going to respond to you. And not every response is going to be positive. When you do get the inevitable rejection, even if it’s simply that the agent doesn’t like the way you write, there’s no cause to abandon all hope. See the last ‘Do’ item – go query more. Find more agents. I’m sure they’re out there. Even if you’re in a narrow genre like, say, “young adult fantasy fiction”**, there are bound to be agents out there willing to give it a once-over. You won’t find them wallowing in misery, no matter how good that bottle of Jack looks.

That’s it. That’s the list. It’s as much for myself as it is for you. So’s this:

What the hell are you doing still sitting there? Go query, dammit!

* Don’t do this either, this is bad.
** No, I just pulled that one right out of the air, nothing relevant to my current activities, why do you ask?

Free Fiction: Miss Weaver’s Lo Mein

Bard by BlueInkAlchemist, on Flickr

Okay, I’m going to be honest. This isn’t likely to be my best story ever.

I haven’t been editing as thoroughly as I could have over the weekend, which makes this essentially a first draft. And as Hemingway put it, “The first draft of anything is shit.” So it’ll probably be better when it gets bundled with my other retold myths. Anyway, appropriate for Valentine’s Day and based on the Chinese folk tale “The Princess and the Cowherd” (a.k.a. The Cowherd and the Weaver Girl), I give you “Miss Weaver’s Lo Mein.”

Spoiler

To say that Caroline Weaver didn’t get out much would be an understatement.

In terms of creature comforts, she wanted for nothing. She had a spacious apartment within walking distance of her father’s office. Weaver & Weaver had been in the commodites business practically since there *was* a commodities business, and it was a long-standing, solid and above-board company handed down from eldest son to eldest son. When Joe’s sons and wife were killed in a car accident, he turned to Caroline and immediately began grooming her to take his place when he was gone.

The loss of her brothers and mother left Caroline numb, dedicated solely to her work. She knew how important it was. Her dad was counting on her. If someone who wasn’t Weaver took over the company when Joe passed on, it wouldn’t be Weaver & Weaver anymore, would it? It was something that consumed her. She ate organic food, slept near a laptop, never took vacations and no relationship she tried lasted longer than a couple months. Some of her co-workers joked the only guy she could stand on a regular basis outside of her father was “the lo mein guy.”

His cart was always parked across Broadway from the office building. FRESH CHINESE was the declaration on the placards bolted to the hammered metal sides. Paper lanters hung from the opened side doors, a little MP3 player hooked up to speakers piped quiet Chinese toons, and the smell coming from the cart was always something divine to Caroline, never greasy or fatty. It was the man behind the cart, however, that really kept her coming back.

“Morning, Miss Weaver! The usual lo mein?”

He was her age. He kept his dark hair short, and his eyes always had a glint of mischief in them, a laugh just waiting to explode from his mouth. More than once, Caroline reflected that there was a significant lack of laughter in her life.

“Yes, please. How’s the beef?”

“Absolutely delicious.” He grinned as he spooned noodles into her take-away container. “But you know that! You never get chicken or shrimp.”

“It’s just that the beef is so good,” she admitted. “Is it local?”

“Yes, unfortunately.”

“Why is that unfortunate?” Caroline was speaking before thinking. That never happened. She’d been visiting this cart for months, why was she suddenly so talkative? She watched him, carefully sprinkling spices on top of the pile of beef and noodles in the paper box. Why couldn’t she look away from his eyes today?

“It’s not as good as the beef back home. My father’s a cowherd, like his father and so on and so forth.”

She blinked. “‘Back home’? You’re a Chinese native?”

“Why is that a surprise?” He let out a short, barking laugh. “Is it because I speak English so well?”

“Well…” She shuffled her feet. The last thing she wanted to do was offend him. If nothing else, she didn’t want her food spiced with spit.

“I get it all the time.” He was still smiling, handing her the lunch. “I was educated at a school upstate. My father was here for years trying to secure an export contract for his beef. It never happened. He couldn’t afford to move us all back home, so I stayed to make enough money on my own to do it.”

She handed him a few bills from her purse. “Here, and keep the change. I hope you make it home someday soon.”

“Me too. Thank you, Miss Weaver.”

His smile was infectious. She turned, face to face with a construction worker who wasn’t as happy with their banter as she was. Blushing, she hurredly crossed the street. She didn’t stop blushing until well after she returned to her desk. She still wasn’t sure what’d possessed her to talk to him like that. She tried not to think about it as she got her chopsticks out and ate her lunch. Hours later as she was plowing through a pile of work it occured to her she’d never asked his name.

That’s exactly what she did the next day.

“I beg your pardon?”

“I didn’t think to ask your name yesterday.” She paused. “I’ve been coming her for months and never once have I asked your name. Wait… how do you know mine?”

“You answered your cell phone once while I was making your lunch. That’s rude, you know.”

His deadly serious face made her crestfallen. “Oh…”

His eyes glimmered and he grinned. “I’m just playing. I didn’t mind. Folks behind you might’ve, but I can’t tell them how to think.”

She returned his smile. “I’m sorry. I’ve just been working a lot lately.”

“Aren’t we all.” He handed her the beef lo mein. “I’m Yuan. Sorry if I didn’t say so before.”

“No, really, it’s my fault for not asking.”

He handed her the lunch he’d made her. “Think nothing of it, Miss Weaver.”

She paid him, along with the tip she usually added. “It’s Caroline.”

His smile lit up his entire face, and the rest of that afternoon flew by for her.

Over the next few months, Caroline and Yuan began to learn more and more about each other. She didn’t know much about baseball, but he hated the Yankees. He hadn’t gotten to do much reading since establishing his business, and she was a huge Harry Potter fan. They shared a taste for older rock’n’roll, with Caroline marking the death of Jimi Hendrix every year and Yuan considering himself a Beatlemaniac. Caroline didn’t go to the movies much, and Yuan promised if they ever did, it wouldn’t be to see a romantic comedy.

“I don’t know if I’d have the time to go see a movie.” The skies above were threatening rain that day. Yuan smiled as he stirred a fresh batch of lo mein noodles, intent on giving her the first portion of it.

“But you’d be open to the idea?”

She smiled. “What makes you think I wouldn’t be?”

“Don’t people in your line of work usually associate with others in the same industry or social circle?”

“I guess, but most of them are entitled self-important arrogant douchebags.”

Yuan snorted in laughter. “Well, I can’t say I’m any different. I mean, these are the best noodles in the city.”

“But I can attest to that. I’ve tasted your noodles. I only have vapid claims to go on from those clowns. I have no interest in seeing their golf swings or art collections, and they think I’ll be eager to find out how good they are in bed when their cologne could knock out a herd of angry rhinos? No, forget it.”

Yuan shook his head, grinning. “I think this is the happiest I’ve heard you. You really enjoy trashing your peers this much?”

“No. I enjoy talking to you this much.”

He looked up at her smile, and for a moment, he was at a loss for words. He handed her the lunch box. She took it, touching his fingers for a moment before handing him the cash.

“Thursday night, the cinema over on 55th. Seven o’clock?”

He nodded. “I’ll be there.”

The movie showing on Thursday night was a little independent production, and it was neither romantic nor a comedy. Still, at times the movie seemed absolutely superfluous, as Caroline was in the company of someone who made no demands of her and had no expectations. It wasn’t an industry event where she was supposed to hobnob with this client or that CEO, it was simple, straightforward, uncomplicated.

She didn’t want it to end.

He walked her to her door afterwards, kissed her good night and took the train back to his self-described “rathole”. She was still walking six feet off the ground when she came into work on Friday.

“You seem to be in excellent spirits.”

She came out of the pleasant memories to look at the man standing at the door of her office. Her father. Tall and thin, with a bald head and bright blond sideburns flowing into his distinctive mustache, he entered the office and closed the door behind him.

“Yeah. I… I was on a date last night.”

“A date? With whom? That nice boy Howards from the exchange?”

“No.” She hesitated. How much did she want to tell him? How much could she? “You wouldn’t know him.”

The lift he’d had in his mustache disappeared. It was the most she’d seen him smile in a while, and now it was gone. “Well, maybe I’d like to. Give it some thought.” He left her to her work, and the morning dragged by for her until she headed downstairs for lunch.

“You look awful,” Yuan commented as he stirred the noodles at his cart. “What’s wrong?”

“It’s my father. I told him about our date, and…”

“…he’d be less than impressed with me.” He nodded slowly. “He’s a high-powered executive. I understand.”

“Yuan, he’s not a bad man, but the company is all he has. I’m important to him because of the part I play in it.”

“Can’t you be important to him because you’re his daughter?”

“I was, once. Now he’s pinned all his hopes and future on me.”

He touched her hand, gently. “That’s a lot to ask of someone.”

She looked in his eyes. “Yuan, I’m sorry. I don’t want to stop seeing you. I… you make me so happy sometimes I can barely contain it.”

He smiled, and gently handed her her lunch. “I’m glad we agree on that. Look, you’ll see me here every day. When you’re ready, we’ll talk about how to handle this ‘dad’ situation of yours. It’ll be fine. I promise.”

Nodding, she gave her usual generous tip, taking a moment to kiss the bills before putting them in his jar. The grin splitting his face was priceless. She returned to work in better spirits and made it through the rest of the day.

The next day, however, it was Yuan’s turn to be followed by a dark cloud. He showed Caroline a form that’d been delivered to him in person.

“It’s a deportation notice,” he told her. “My visa’s been revoked.”

“How is that possible?” She studied the form. It made no sense.

“After my student visa expired, I applied for residence. Despite the fact my work permit from my previous visa hadn’t expired, they’re saying this-” He gestured a his cart and its delicious-smelling food. “- is illegal, and they’re deporting me for it.”

“That is bullshit!” She slammed the form back onto the cart. “What was this officer’s name? I’ll find him and sort it out.”

He shook his head. “I’ve already found a buyer for the cart. I’m going to go home, help dad with the farm. The money I’ve made here isn’t much, but…”

She took his hand, ignoring the people behind her. “Yuan, they don’t have to run you out like this. It isn’t right. We should fight this, together.”

“Even if we do, I’ll either be doing it from China or from jail. I’d like to hold on to my freedom, even if it means leaving a country supposedly founded on it, and you.”

Caroline felt tears coming to her eyes and tried to blink them away. He touched her face and smiled faintly.

“It’s a smaller world than you might think. I don’t think it can keep us apart for too long.”

She leaned into his touch, kissed his hand. “I’m going to miss you.”

“I’ll miss you too, Miss Weaver. Here’s your lo mein.”

She didn’t remember the trip back upstairs, nor leaving her lunch on her desk. The next thing she knew she was in her father’s office.

“This was your doing.”

“I don’t know what you mean.” He didn’t look at her. Six financial reports were on his wall of televisions at once. He said it kept his mind sharp.

“Yuan’s deportation. You had something to do with it.”

“People shouldn’t be here on expired permits and visas. If they can’t be bothered to renew their paperwork properly, they’ve got no place here.”

“His work permit’s fine, you just don’t like the fact that I’m interested in someone in a lower tax bracket from you!”

“I don’t like your tone, Caroline.”

“And I don’t like the way you try to control my life like it’s a game of chess or something! I’m your daughter, not a slave or a pawn!”

“You’re also the best employee I’ve got, and this is our busiest time of year. I need you completely on your game with no distractions. You can have all the girlish flings you want third quarter, just as long as I don’t have to see it by looking out my window.”

Caroline felt her hands curling into fists. She stared at her father as her nails bit into her palms. Finally, when she couldn’t think of anything constructive to say, she turned and walked out, returning to her office. She managed to make it through the rest of the work day and get herself home before she broke down into tears.

It was a dismal month that followed. The corner across the street from the office was soon occupied by a hot dog vendor, a large gentleman with hairy shoulders who tended to undercook the dogs. She tried to focus on her work, and as her productivity didn’t dip too far, her father either didn’t notice the way she dragged herself through her days, or simply didn’t care. Caroline suspected the latter.

Finally, after returning home from work, she found an envelope with internation postage on it waiting for her. She got into her apartment, tore off her coat, sat at her tiny kitchen table and clawed the envelope open.

Dear Caroline,

I’ve never been all that good at writing things out. I try to deal with what’s in front of me and not live inside my head, in words and pictures. I’m sorry if that meant I came across as cold the last time I saw you. Leaving you tore me apart. I loved that little cart and I miss it, almost as much as I miss you.

We don’t have the Internet out here on the farm, as my father thinks it’s a superfluous expense. So I’ve taken to riding the train to the nearest library. Still, I have the credit card I got while I was in the States, and I used it to buy you a copy of this software that teaches you Chinese. The code for downloading it’s enclosed with this letter. I’ve also sent you a voucher for an airline ticket, which should bring you out here around our New Year’s celebration.

You’ve got six months to learn enough Chinese to not piss off my dad.

No pressure.

I’m kidding. I’m sure you’ll get along fine. Still, a few key Mandarin phrases won’t hurt. I’m sure your dad won’t be too happy with you skipping town on him, and I know your work is important to you. I’m not going to ask you to run away or anything like that. Just come see me, or at least write back.

I miss you more than words can say.

Love,
Yuan

Sure enough, the envelope had a print-out with a download code and another with information on a cross-Pacific flight. She read and re-read the letter several times, and a plan began to take shape.

The exchange of letters between her and Yuan quickly became preoccupied with the particulars, as she practiced her writing of Chinese characters and he gently corrected her sentence structure. She saved all of her excitement and anticipation for after hours, ensuring her productivity remained at its usual high level. With her father pleased, he left her relatively alone. She worked her vacation request through the HR department like any other employee, knowing that her father tended to ignore the scheduling calendars of other people in his company as long as nothing they did interfered with his meetings. The Friday before she left, however, he knocked on her office door.

“A two-week vacation, and I’m only just now hearing about it?”

She didn’t look up from her paperwork. “I’m the top earner in the company three months running. I’ve earned some time off.”

“The HR calendar doesn’t say where you’re going.”

“I didn’t see how it was anybody’s business.”

“What if you’re going someplace dangerous?”

“You mean like five blocks from here? I’m not going to stay shut up in this office or my apartment because of a minority of ultra-violent whackjobs.”

“I see your point.” He lingered at the door, watching her work, before he disappeared. When he came back, he closed the door behind him and placed an envelope in front of her.

“What’s this?”

“I moved you up to first class.” He stood before her desk, his face inscrutable. “I won’t have you on a cross-ocean flight for hours on end cramped in a coach seat. My daughter deserves better.”

She looked at the envelope, then up at her father. “You know where I’m going, then?”

“Yes. And I know why.” He paused. “You’re right. You deserve your vacation, and the reason you’re taking it there is my fault. I was… I was scared.”

She blinked, breath caught in her throat. He tapped the envelope, not looking her in the eye.

“I know this won’t make up for what I did. But I had no right to take away something that made you happy just because I feared it getting in the way of business. I’m your boss, but I’m also your father. I can’t let one overwhelm the other.” The muscles in his jaw danced. “I know people say this company’s all I’ve got. But, really, Caroline… it’s you. You’re all I’ve got. And I’m scared of losing you.”

She took his hand. “You’ll never lose me, Dad. Not really. But I can’t always be here. Not when my heart is somewhere far away. I miss that little Chinese cart and the sweet guy behind it more than anything, and I’m sorry it took you this long to understand that.” She smiled at him. “Don’t be scared. I’m going to come back. But I need to see him. You understand that, don’t you?”

He nodded. “Take the time you need, be safe and come home. We’ll be waiting for you.”

She got up from her desk and hugged him. It was the first time they’d hugged in years. Phones rang elsewhere in the building. Emails poured into inboxes. The Weavers ignored them. For that moment, they weren’t co-workers anymore. They weren’t commodities traders. They were a family.

Two weeks later she was in China. Fireworks exploded in the streets. Paper dragons chased parades and lanters swung as people went hither and yon during the festivities. Yuan and Caroline walked hand in hand.

“I’m sorry my dad’s not in better health.” Yuan smiled a bit in spite of his mood. “It turns out I came home at just the right time. Getting into the groove of running the farm took longer than I thought it would, but we’re seeing better business than ever.”

“I’m glad something good came out of that. I was worried for you.”

“I know.” He squeezed her hand. “And your Mandarin sounds good. I know you’ll keep practicing when you go home.”

She leaned her head on his shoulder. “Let’s not talk about that yet. I know I have to, that it’ll be a long time before we make this work. If we ever do. For now… for now, I just want this.”

He nodded, and smiled. “Let me take you home, then, and make you some lo mein.”

Firecrackers popped nearby. Miss Weaver smiled at her cowherd. “I can’t wait.”

Characters, Corpses & Kittens

Courtesy Chuck Motherfucking Wendig

As you create your characters, whatever your ultimate purpose in doing so might be, it’s likely they’re going to have an emotional response to something sooner or later. Unless they are coming into contact with our world from an entirely alien, outside perspective (which in and of itself can make for a good story), they’re going to experience emotions the way human beings do. As you consider this, also consider the fact that no emotion exists in a vacuum.

Unless you’re spiralling alone through the void of space.

What I mean is, our emotions come from somewhere. Our psyches, histories and experiences shape the way we react to things, and act on those reaction. A middle-management office worker is going to react to a corpse differently from a battle-hardened veteran. A schoolteacher’s going to take comfort in different things than a member of a biker gang – lets say she likes kittens. It’s important to keep in mind where the character’s been, how they’ve been raised and what brought them to their current state of being when you set out to describe a scene in which they need to feel something – which is most of them.

Now, there are always exceptions. The middle-management officer worker might *be* a battle-hardened veteran. A hardcore biker might have no problem whatsoever finding the sight of week-old kittens adorable and decorating his home or even his bike in such a motif. These characters may lend themselves to be more interesting than those who have only a single mode of existence or thought, but don’t discount those ‘simple’ characters as being uninteresting or dull. As long as they speak, feel and think like human beings (or whatever their species happens to be), they can be interesting.

A great and recent example of characters showing emotion, and establishing those feelings in a short period of time, is Chuck Wendig’s Irregular Creatures. Seriously, read it again, and watch how the characters feel, grow and change. Take in how they react to the weird stuff that happens. Put yourself in their shoes, which Chuck’s writing makes very easy.

What? You don’t have it yet?

Well, lucky you. It’s on sale.

Go get it.

There is a New Post here.

ZORK

You are in Blue Ink Alchemy.  

There is an exit through the Internet.

There is a New Post here.

It is dark.
You may be eaten by a grue.

Does anybody else remember ZORK?

It was something I played briefly in my youth. It was one of my very first adventure games. This was long before anything like graphical user interfaces had made a big splash in computing, let alone PC gaming, so the action and suspense played itself out in the form of lines of text.

My first ‘MMO’ experience was similar. It’s not strictly a massively multiplayer experience, as I have no idea how many simultaneous players the server supports, but MUME – Multi-Users of Middle-Earth was perhaps my first real foray into online gaming, happening about the same time I really hit my stride with Trade Wars.

Speaking of which, I’m still interested in getting some kind of iteration of that thing going on my local server with friends and stuff. I just haven’t had the time.

Anyway, text-based adventuring. These are actually more intricate and deep than you might expect. Instead of relying on glitsy graphics or gameplay powered by a few quick button-presses, the designer has to include common command ideas such as “LOOK”, “GET” and “INVENTORY” while being ready to respond to unknown commands like “RESPAWN”, “SPONTANEOUSLY COMBUST” or “TEABAG”.

There’s also the fact that it’s the player who populates the game world, at least in a sense. By reading the text of the adventure, it’s your imagination that are giving the characters, settings and threats of the world flesh, weight and meaning. This requires the setting to be well-written, with clear descriptions and consequences that matter. It also means that the designers need to lay out a path to victory for the player, with obstacles and misdirects placed carefully so that once the player gets the hang of which commands work, there’s still plenty of challenge to be had.

How might a text-based adventure if it were programmed today, say using a popular IP?

I give you “You Awaken in Razor Hill.”

I can’t assume that every reader who passes by here knows enough about World of Warcraft to get all of the in-jokes, but pay attention to some of the longer descriptions. This is well-written, cleanly described and carefully directed work. More than just an exercise in “trolling the forums for the lulz,” it’s a great example of good writing, good design and a fantastic result.

It also had me laughing so hard I was crying. So, there’s that as well.

Character Creation

Courtesy Mythic Entertainment
Sometimes, I miss Warhammer Online.

This morning I read a rather brief guide on Writing Believable Characters from the Young Adult Fantasy Guide. It’s a great overview of what to do right and what to avoid when putting your characters together. I highly recommend you go give it a read if you’re thinking of starting up a new creative project any time soon.

When you think about it, creating characters for a story isn’t really all that different from going through the character creation process in a current generation video game, provided you got the game from BioWare or an MMO studio and they allow such things. Good luck trying to customize Nathan Drake from Uncharted or Issac Clarke from Dead Space. You’re stuck with them as they are, for good or for ill.

Instead of tweaking the character’s race, class and talent build, however, you’re going to be tweaking their background, outlook and personality. Granted, you can do this is MMOs as well, provided such things are supported in the game either with mechanics or community & developer support. Some studios can’t or won’t support such things directly, but that’s a subject for a different discussion.

Background

Your characters came from somewhere. And I don’t just mean the deep recesses of your brain. Unless they’re vat-grown genetically-engineered super-soldiers, they had a family. Parents. Maybe some siblings. Perhaps a childhood bully. How about a high school sweetheart? Who did they admire growing up? Who did they despise? What was their first kiss like? Their first heartbreak?

These are things you can talk to any person on the planet and get a different result. What would the answers be if you asked your characters? Think about it. They got to where they are at the start of your story by coming from the places that’ll come to light when you answer these questions.

Oh, and if they are a vat-grown genetically-engineered super-soldier, how do they feel about it? Are they jealous of people with families? Do they feel they live in a world of cardboard due to their super-strength or whatnot? Do they understand things like emotions, prejudice, philanthropy and zealotry? How are they programmed? Do they want to break that programming? And if they weren’t grown in a lab, do they remember their family? If not, will they remember them later? What happens when they find out about the past they used to have, if they don’t remember it at the beginning of the story?

I should mention that you should be doing this as soon as possible in the creative process. If you go back and fill in a character’s background later, it might make something of a mess.

Outlook

Tied into background is how a character sees the world around them. Like the questions asked of our SPARTAN super-soldier, it’s the sort of thing you can discern from people around you. Who’s in favor of the current state of things in the world? Who wants to see change? Who’s in it for the money? What motivates people, and by extension, your character?

Altruism can surprise people when it emerges. And some people get shocked when they look back on an event and realize how selfish they were. It’s natural for people to veer one way or another from their baseline behavior, but first they need to have a baseline. And the reason it’s called a baseline is that it’s consistent. It will change over time, since static characters are boring, but this is a gradual change, and sudden shifts away from it should not only shock the reader, it should also shock either the character or the people around them. If not both.

Personality

Note that outlook and personality are two different things. The way one sees the world is not necessarily how one interacts with it. People who are just in it for the money have to at least put on a facade of tolerance and goodwill from time to time in order to further their goals. The difference between one’s outlook and their personality can be a matter of inches or of miles. It depends on the character.

Sometimes these can move closer together, as the hard-bitten out-for-themselves mercenary starts to care about the people she’s thrown in with, or the kindly priest becomes gradually disillusioned with the church and, by extension, the people he’s been nice to for years. These are exciting, interesting changes that can and should be chronicled. It can make a story with very little action, suspense, gore or sex jump off the page and make room for itself in the reader’s imagination. Which is what writing fiction’s all about, right?

How do you distinguish your characters? How will you do so in the future?

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