Month: April 2013 (page 2 of 5)

Flash Fiction: The Crash

Roswell Theater

Since this week’s Flash Fiction Challenge was nothing but a title, I turned to my Brainstormer, which selected “Prey to misfortune”, “alien”, and “crossbow”.


As she came to, past the throbbing pain in her cranial cravity, she tried to assess her situtation. The crash had clearly ruined the environmental systems, given the hissing noise above her head. No klaxons were sounding, meaning the power core was intact. She gently pushed herself out of the gravity couch and looked around. The navigator was also coming around, holding his head in his upper left appendage and groaning softly.

“What in the name of Gvalix hit us?”

She clicked her mandible. “I have no idea. I was busy trying to keep us on course.”

“That course should have been free of hazards. Something definitely hit us.”

“You DO know that the cosmos is a vast and mostly empty space, correct?”

The navigator’s segmented eyes caught the flickering lights of the sputtering consoles. “If you’re trying to throw blame around, your Highness…”

“Stop…”

Both of them turned to where the third gravity couch should have been. Their view was mostly obscured by the collapsed section of hull that had all but crushed the engineer’s seat. She moved towards it, gripping the metal with all four sets of claws, but it barely budged. She was female. Her strength was superior. No male-made structure should be able to withstand her, and yet the hull did not move.

“I will get you out of there.”

The engineer shook his head. His abdomen was crushed beneath the wreckage, and green blood seeped through cracks in his thorax. She reached down and stroked between his antennae as he spoke.

“It is too late for me, Your Highness. What is important now is your survival. With the beacon active, a rescue party will be dispatched. You must… you must live.”

“As must you. All of my mother’s children are precious.”

A cough from the engineer spattered green ichor all over the wreckage and his thorax. He shook his head again. “You will make a fine… a fine Queen someday. But you must… must survive first. Take… take our treaty and… and…”

A final cough was the last sound the engineer made. She stood, turning to the navigator. He was wringing his claws and looking away. She turned and walked towards him, her wings twitching as she tried to hold down her own emotions.

“Listen to me. We still have a mission to complete. He wanted us to complete it, and that is what we are going to do. Do you understand?”

After a moment, the navigator looked up at her and nodded. “We were pupae together, your Highness. We haven’t been apart for cycles…”

“I understand. I helped raise both of you. But we cannot stay here.”
“Where will we go? We do not know where we can find the means to repair our ship. If it can be repaired…”

“One thing at a time, Navigator. First we have to determine where we actually are.”

They slowly picked their way aft to the airlock. Its seals were intact. The navigator’s claws activated the external scanners on the door.

“Largely a nitrogen atmosphere, my lady. A large proportion of oxygen, other trace gasses…”

“But we will be able to survive in it?”

“Yes. We should be prepared, however.”

“I agree.”

They entered the airlock, pulling out filter masks, translator rigs, and sidearms. The navigator triggered the outer hatch, and was the first to climb out of the ship. He reached back and helped her emerge.

“Thank you. I will take a look.”

It felt good for her to flex her wings after their long journey. It was night, and the wildlife was quiet. They seemed to be in a rather desolate place, with the lights of a city in the distance. She looked up at the stars, at the single moon high in the sky, and down at the crash site. Then, she returned to the navigator’s side. He was looking at a holographic display on a device he held in his lower claws.

“As far as I can tell, your Highness, we are halfway spinwards across the spiral arm. This is the third planet in the seventh star system of the Xafflid constellation. We suspected it could sustain life but had not yet sortied a scout mission. It is in the neutral zone between us and the Clusters of Bix…”

“So we were on course. I apologize for my tone.”

“And I for mine. You piloted very well to set us down as you did.”

One of her antannae twitched, picking up the vibrations of an incoming craft. She turned to the navigator.

“What do you make of it?”

“Crude. Rotating wing propulsion. Likely armed.” He was aleady reaching for his sidearm.

“No. We don’t want to appear threatening. These may be a primitive species, by our standards.”

The craft cleared the bluff near their crash site, bathing them with a harsh light. Over the din of the craft’s blades, she could make out words from one of the crew within.

“Roswell, this is Crossbow. Located the site. Unknown forces present, potentially hostile. Awaiting orders.”

She turned to her navigator.

“Back into the ship, your Highness?”

“No. If we can speak with them, they may be able to help us.”

The craft landed, and the occupants emerged. They were much smaller than either of the survivors, with soft exteriors of various colors under cloth uniforms, and each carried a magazine-fed projectile weapon. The navigator began to move to step between her and them, but she held out her right arms, preventing him. She flipped her translator rig to learning mode and scanned local transmissions. In moments, it had the information she needed.

“People of Earth.” The words felt strange in her mouth, oddly shaped and clipped in their pace. But she pressed on. “We come in peace!”

The humans looked at one another, then back at her. They slowly lowered their weapons.

“You need to come with us,” one of them said. “We will take you to our base. We’ll take care of you there.”

Thoughts on Boston

Boston skyline from BCEC loading dock

Normally, on Fridays, I talk about how my writing’s going. I whine about how busy I get. I try to be funny.

I really don’t have any of that in me today.

I gave thought to some sort of ultra-positive, quasi-patriotic post about how terror will never conquer this country. I do believe that we are stronger than terror. That there are too many helpers, too many good people, too many folks with kind hearts and indomitable wills to succumb to fear and paranoia. We may be a somewhat arrogant, occasionally backwards, largely do-nothing (CONGRESS!), and marginally out-of-shape lot in America, but for the most part, our hearts are in the right place.

I just don’t know if that’s more signal or more noise, at this point.

So I’ll say this.

I fell in love a little bit with Boston the last time I was there. I miss the friends I made there, and I worry about their safety.

All I can offer from here is my attention, my good vibrations, and my prayers. I’ll give blood in a couple weeks to help shore up the supply that’s certain to be depleted.

This has been a terrible week. Hopefully, however, the worst of it is rapidly disappearing from our rear-views.

All that really matters, in the end, is the road ahead.

Movie Review: Justice League: Doom

Even when I was younger, I knew there was something that set Batman: The Animated Series apart from other cartoons. At the time I chalked it up to visual style – the black cels really sold the noir asthetic of Gotham. However, looking back, the writing is incredibly solid and often goes to dark places for what is obstensibly a children’s program. I haven’t watched a great deal of the Justice League or Justice League Unlimited series, but after watching Justice League: Doom instead of shelling out for Injustice: Gods Among Us, I may have to correct that oversight.

Courtesy Warner Bros

Batman is, as a rule, paranoid. He’s a very rich man with a very odd nightlife and some very interesting friends, ranging from nigh-invincible aliens to smart-alec test pilots with magic jewelry. He knows for a fact that they’re good people, these friends of his, but he also knows that good people can be mislead, controlled, manipulated, or even turn bad. So he has plans for dealing with each and every one of these friends. Now what, do you suppose, happens when these plans get stolen, cranked up, and unleashed on Batman and his friends in the Justice League? This is the brainchild of immortal douchebag Vandal Savage and his newly forged Legion of Doom.

What Justice League: Doom does right is taking the focus away from major super-powered threats or earth-shattering kabooms. The scope of this film is a lot smaller, its tone more intimate, than most stories that deal with super-heroes, especially teams. With animated features, where special effects are less limited by things like budget, the temptation can exist for a creative team or vision to override more character-focused story points. Thankfully, Doom does not fall into that trap. For most of its running time, we see how Batman’s contingency plans wreck havoc in the lives of his teammates. And since the plans are meant to deal these super-powered individuals on both a physical and a psychological level, the plans can be rather insidious, and make for good watching.

Courtesy Warner Bros
The art style is crisp but may seem too childish or anime for some.

The nature of the conflict is matched by good pacing and excellent voice work all around. Both Kevin Conroy and Tim Daly reprise their long standing roles as Batman and Superman, respectively. I happen to like Hal Jordan as Green Lantern, and Nathan Fillion supplying the voice was a great bonus. With this core of talent, the characters really come to life. This helps drive home some of the moments that could define, or destroy, these heroes. There’s also the fact that many of those moments go to very dark territory. We have bombs bolted to people’s bodies, live burials, major psychological trauma, and even people getting shot point-blank in the chest. It’s clear from the outset that this story isn’t messing around.

Unfortunately, Justice League: Doom is not perfect. The nature of the Legion of Doom’s formation means that each member other than Savage has a personal beef with an individual hero on the Justice League, and pairings pretty much remain fixed throughout the final battle. For example, Mirror Master might have given Superman a run for his money, and how would Metallo fare against Green Lantern? Another problem is in said final battle; since the plans are resolved as a prelude to said battle, most of the interesting character points have already happened or are largely inconsequential. It feels a great deal like the final minutes of Justice League: Doom simply run out of steam, which is a shame considering it’s good opening and fantastic second act.

Courtesy Warner Bros
I really like Mirror Master’s design. The see-through look nails the character.

Stuff I Liked: The implementation of the plans to take out the Justice League. I liked seeing these versions of Bane, Star Sapphire, Metallo, and particularly Mirror Master. Batman revealing he’s always got kryptonite available made me grin like an idiot.
Stuff I Didn’t Like: Vandal Savage is perhaps my least favorite kind of villain: he’s evil for evil’s sake. His plan is megalomaniacal in the extreme and he has only the most paper-thin of excuses for carrying it out. I’m still not a huge fan of Superman; it seems difficult for a given writer to decide just how much power kryptonite has over him or how long it takes for the glowing rocks to weaken him.
Stuff I Loved: The voice acting is very good. There’s a moment about halfway through involving Cheetah and Vandal Savage that really impressed me with its audacity. I’m not too ashamed to say I enjoyed Superman getting shot. Hal Jordan remains my favorite Green Lantern, and having him voiced by Nathan Fillion was a great moment of fanboy enjoyment for me.

Bottom Line: For all of the imperfections I saw emerging, Justice League: Doom still tells a decent story and inhabits some of the more fantastical characters of the DC universe with some humanity and vulnerability. As good as it could have been with some elements mixed a bit more and a couple more chances taken, what it does is done well.

Sometimes Life Happens

Test Pattern

Last night was kind of a disaster in some regards and life just happens from time to time. I’ll be back on track tomorrow with a review that’s kind of sort of relevant to Injustice coming out this week. My thoughts & prayers are with Boston and the fantastic folks there, and I hope everybody makes it through this Wednesday okay.

Anatomy of a Hero

Courtesy Warner Bros

Last week we talked about the Chosen One. Specifically, we talked about how the Chosen One’s starting to look a little creaky and doesn’t hold up in modern storytelling. In all honesty, the divergence of heroes from the idea of them being the Chosen One is nothing new. Nobody would call Jay Gatsby, a ‘self-made’ man, or Holden Caufield, a disenfranchised youth on the cusp of adulthood, anything resembling ‘the Chosen One.’ But rather than diving into these great American novels (which you can do here and here, respectively), let’s stick with Harry Potter. Since we dissected the young wizard last week, let’s examine the anatomy of this would-be hero.

Also, while I refer to the main character as a ‘hero’, you can easily swap in ‘heroine’. These attributes have nothing to do with gender. Or species. But let’s get into it before I get bogged down in semantics.

First and foremost, as mentioned last week, Harry remains a human being throughout his arc. I don’t mean that he doesn’t evolve into a centaur or something; his emotions and thoughts and growth stay very grounded. This is essential for a would-be hero. Say what you want about Luke Skywalker’s whining or Steve Roger’s aw-shucks approach to others, they are part and parcel of the characters’ core and growth. Luke has to lose his innocense, Steve is faced with a world that cares nothing for his ideals, and Harry must overcome his initial adoration for the wizarding world to deal with the challenges to come.

What makes a hero a hero, in addition to being human, is a willingness, reluctant or otherwise, to put that humanity and their personal needs and wants aside for something greater than themselves. This is a conscious choice they make, a decision based on their situations and the abilities and resources at their disposal. Instead of it just being part of their destiny, the hero weighs the options in front of him and chooses the harder path, the one towards danger, the one that does not guarantee a happy ending.

And given that the hero is human, and that they made this hard choice, you can be certain things are going to go wrong. The machinations of the villains may not even need to become involved, either. Part of what makes a hero heroic is how they deal with adversity, and that includes their own fuck-ups. And the thing about human beings is, sooner or later, they are going to fuck up. The mistake can cause the hero harm, force the loss of progress, or even cost them the life of someone dear to them. But tragic or unfortunate as the moment itself can be, it’s the moments after that show us what a hero is really made of. Beyond any yammering about destiny or curses or fate or intervention, it is in these darkest moments that the heroes we remember, that we adore, that we idolize, shine the brightest.

These are what I consider to be the essential parts of a hero. Feel free to leave anything I might have missed in the comments!

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