Month: April 2013 (page 4 of 5)

Free Fiction: Miss Weaver’s Lo Mein

London circia 2009 Canary Wharf; Courtesy Shutterstock

Since this week’s Terribleminds flash fiction was a single sentence, and my weekend was too jam-packed to make use of Brainstormer, I dug around and found an as-yet unpublished work of fiction. This is in the tradition of most of my other free fiction, in that it reworks an old tale in a new way. Specifically, this is a Chinese folk tale done as a modern romance. I hope you enjoy it.

If you’d prefer to read the story in PDF-form, check out this page. If you’d prefer a format like MOBI, let me know and I’ll see what I can do!


To say that Caroline Weaver didn’t get out much would be an understatement.

In terms of creature comforts, she wanted for nothing. She had a spacious apartment within walking distance of her father’s office. Weaver & Weaver had been in the commodities business practically since there was a commodities business, and it was a long-standing, solid and above-board company handed down from eldest son to eldest son. When Joe’s sons and wife were killed in a car accident, he turned to Caroline and immediately began grooming her to take his place when he was gone.

The loss of her brothers and mother left Caroline numb, dedicated solely to her work. She knew how important it was. Her dad was counting on her. If someone who wasn’t Weaver took over the company when Joe passed on, it wouldn’t be Weaver & Weaver anymore, would it? It was something that consumed her. She ate organic food, slept near a laptop, never took vacations and no relationship she tried lasted longer than a couple months. Some of her co-workers joked the only guy she could stand on a regular basis outside of her father was “the lo mein guy.”

His cart was always parked across Broadway from the office building. FRESH CHINESE was the declaration on the placards bolted to the hammered metal sides. Paper lanterns hung from the opened side doors, a little MP3 player hooked up to speakers piped quiet Chinese tunes, and the smell coming from the cart was always something divine to Caroline, never greasy or fatty. It was the man behind the cart, however, that really kept her coming back.

“Morning, Miss Weaver! The usual lo mein?”

He was her age. He kept his dark hair short, and his eyes always had a glint of mischief in them, a laugh just waiting to explode from his mouth. More than once, Caroline reflected that there was a significant lack of laughter in her life.

“Yes, please. How’s the beef?”

“Absolutely delicious.” He grinned as he spooned noodles into her take-away container. “But you know that! You never get chicken or shrimp.”

“It’s just that the beef is so good,” she admitted. “Is it local?”

“Yes, unfortunately.”

“Why is that unfortunate?” Caroline was speaking before thinking. That never happened. She’d been visiting this cart for months, why was she suddenly so talkative? She watched him, carefully sprinkling spices on top of the pile of beef and noodles in the paper box. Why couldn’t she look away from his eyes today?

“It’s not as good as the beef back home. My father’s a cowherd, like his father and so on and so forth.”

She blinked. “‘Back home’? You’re a Chinese native?”

“Why is that a surprise?” He let out a short, barking laugh. “Is it because I speak English so well?”

“Well…” She shuffled her feet. The last thing she wanted to do was offend him. If nothing else, she didn’t want her food spiced with spit.

“I get it all the time.” He was still smiling, handing her the lunch. “I was educated at a school upstate. My father was here for years trying to secure an export contract for his beef. It never happened. He couldn’t afford to move us all back home, so I stayed to make enough money on my own to do it.”

She handed him a few bills from her purse. “Here, and keep the change. I hope you make it home someday soon.”

“Me too. Thank you, Miss Weaver.”

His smile was infectious. She turned, face to face with a construction worker who wasn’t as happy with their banter as she was. Blushing, she hurriedly crossed the street. She didn’t stop blushing until well after she returned to her desk. She still wasn’t sure what’d possessed her to talk to him like that. She tried not to think about it as she got her chopsticks out and ate her lunch. Hours later as she was plowing through a pile of work it occurred to her she’d never asked his name.
That’s exactly what she did the next day.

“I beg your pardon?”

“I didn’t think to ask your name yesterday.” She paused. “I’ve been coming her for months and never once have I asked your name. Wait… how do you know mine?”

“You answered your cell phone once while I was making your lunch. That’s rude, you know.”

His deadly serious face made her crestfallen. “Oh…”

His eyes glimmered and he grinned. “I’m just playing. I didn’t mind. Folks behind you might’ve, but I can’t tell them how to think.”

She returned his smile. “I’m sorry. I’ve just been working a lot lately.”

“Aren’t we all.” He handed her the beef lo mein. “I’m Yuan. Sorry if I didn’t say so before.”

“No, really, it’s my fault for not asking.”

He handed her the lunch he’d made her. “Think nothing of it, Miss Weaver.”

She paid him, along with the tip she usually added. “It’s Caroline.”

His smile lit up his entire face, and the rest of that afternoon flew by for her.

Over the next few months, Caroline and Yuan began to learn more and more about each other. She didn’t know much about baseball, but he hated the Yankees. He hadn’t gotten to do much reading since establishing his business, and she was a huge Harry Potter fan. They shared a taste for older rock’n’roll, with Caroline marking the death of Jimi Hendrix every year and Yuan considering himself a Beatlemaniac. Caroline didn’t go to the movies much, and Yuan promised if they ever did, it wouldn’t be to see a romantic comedy.

“I don’t know if I’d have the time to go see a movie.” The skies above were threatening rain that day. Yuan smiled as he stirred a fresh batch of lo mein noodles, intent on giving her the first portion of it.

“But you’d be open to the idea?”

She smiled. “What makes you think I wouldn’t be?”

“Don’t people in your line of work usually associate with others in the same industry or social circle?”

“I guess, but most of them are entitled self-important arrogant douchebags.”

Yuan snorted in laughter. “Well, I can’t say I’m any different. I mean, these are the best noodles in the city.”

“But I can attest to that. I’ve tasted your noodles. I only have vapid claims to go on from those clowns. I have no interest in seeing their golf swings or art collections, and they think I’ll be eager to find out how good they are in bed when their cologne could knock out a herd of angry rhinos? No, forget it.”

Yuan shook his head, grinning. “I think this is the happiest I’ve heard you. You really enjoy trashing your peers this much?”

“No. I enjoy talking to you this much.”

He looked up at her smile, and for a moment, he was at a loss for words. He handed her the lunch box. She took it, touching his fingers for a moment before handing him the cash.

“Thursday night, the cinema over on 55th. Seven o’clock?”

He nodded. “I’ll be there.”

The movie showing on Thursday night was a little independent production, and it was neither romantic nor a comedy. Still, at times the movie seemed absolutely superfluous, as Caroline was in the company of someone who made no demands of her and had no expectations. It wasn’t an industry event where she was supposed to hobnob with this client or that CEO, it was simple, straightforward, uncomplicated.

She didn’t want it to end.

He walked her to her door afterward, kissed her good night and took the train back to his self-described “rathole”. She was still walking six feet off the ground when she came into work on Friday.

“You seem to be in excellent spirits.”

She came out of the pleasant memories to look at the man standing at the door of her office. Her father. Tall and thin, with a bald head and bright blond sideburns flowing into his distinctive mustache, he entered the office and closed the door behind him.

“Yeah. I… I was on a date last night.”

“A date? With whom? That nice boy Howards from the exchange?”

“No.” She hesitated. How much did she want to tell him? How much could she? “You wouldn’t know him.”

The lift he’d had in his mustache disappeared. It was the most she’d seen him smile in a while, and now it was gone. “Well, maybe I’d like to. Give it some thought.”

He left her to her work, and the morning dragged by for her until she headed downstairs for lunch.

“You look awful,” Yuan commented as he stirred the noodles at his cart. “What’s wrong?”

“It’s my father. I told him about our date, and…”

“…he’d be less than impressed with me.” He nodded slowly. “He’s a high-powered executive. I understand.”

“Yuan, he’s not a bad man, but the company is all he has. I’m important to him because of the part I play in it.”

“Can’t you be important to him because you’re his daughter?”

“I was, once. Now he’s pinned all his hopes and future on me.”

He touched her hand, gently. “That’s a lot to ask of someone.”

She looked in his eyes. “Yuan, I’m sorry. I don’t want to stop seeing you. I… you make me so happy sometimes I can barely contain it.”

He smiled, and gently handed her her lunch. “I’m glad we agree on that. Look, you’ll see me here every day. When you’re ready, we’ll talk about how to handle this ‘dad’ situation of yours. It’ll be fine. I promise.”

Nodding, she gave her usual generous tip, taking a moment to kiss the bills before putting them in his jar. The grin splitting his face was priceless. She returned to work in better spirits and made it through the rest of the day.

The next day, however, it was Yuan’s turn to be followed by a dark cloud. He showed Caroline a form that’d been delivered to him in person.

“It’s a deportation notice,” he told her. “My visa’s been revoked.”

“How is that possible?” She studied the form. It made no sense.

“After my student visa expired, I applied for residence. Despite the fact my work permit from my previous visa hadn’t expired, they’re saying this-” He gestured a his cart and its delicious-smelling food. “- is illegal, and they’re deporting me for it.”

“That is bullshit!” She slammed the form back onto the cart. “What was this officer’s name? I’ll find him and sort it out.”

He shook his head. “I’ve already found a buyer for the cart. I’m going to go home, help dad with the farm. The money I’ve made here isn’t much, but…”

She took his hand, ignoring the people behind her. “Yuan, they don’t have to run you out like this. It isn’t right. We should fight this, together.”

“Even if we do, I’ll either be doing it from China or from jail. I’d like to hold on to my freedom, even if it means leaving a country supposedly founded on it, and you.”

Caroline felt tears coming to her eyes and tried to blink them away. He touched her face and smiled faintly.

“It’s a smaller world than you might think. I don’t think it can keep us apart for too long.”

She leaned into his touch, kissed his hand. “I’m going to miss you.”

“I’ll miss you too, Miss Weaver. Here’s your lo mein.”

She didn’t remember the trip back upstairs, nor leaving her lunch on her desk. The next thing she knew she was in her father’s office.

“This was your doing.”

“I don’t know what you mean.” He didn’t look at her. Six financial reports were on his wall of televisions at once. He said it kept his mind sharp.

“Yuan’s deportation. You had something to do with it.”

“People shouldn’t be here on expired permits and visas. If they can’t be bothered to renew their paperwork properly, they’ve got no place here.”

“His work permit’s fine, you just don’t like the fact that I’m interested in someone in a lower tax bracket from you!”

“I don’t like your tone, Caroline.”

“And I don’t like the way you try to control my life like it’s a game of chess or something! I’m your daughter, not a slave or a pawn!”

“You’re also the best employee I’ve got, and this is our busiest time of year. I need you completely on your game with no distractions. You can have all the girlish flings you want third quarter, just as long as I don’t have to see it by looking out my window.”

Caroline felt her hands curling into fists. She stared at her father as her nails bit into her palms. Finally, when she couldn’t think of anything constructive to say, she turned and walked out, returning to her office. She managed to make it through the rest of the work day and get herself home before she broke down into tears.

It was a dismal month that followed. The corner across the street from the office was soon occupied by a hot dog vendor, a large gentleman with hairy shoulders who tended to undercook the dogs. She tried to focus on her work, and as her productivity didn’t dip too far, her father either didn’t notice the way she dragged herself through her days, or simply didn’t care. Caroline suspected the latter.

Finally, after returning home from work, she found an envelope with international postage on it waiting for her. She got into her apartment, tore off her coat, sat at her tiny kitchen table and clawed the envelope open.

Dear Caroline,
I’ve never been all that good at writing things out. I try to deal with what’s in front of me and not live inside my head, in words and pictures. I’m sorry if that meant I came across as cold the last time I saw you. Leaving you tore me apart. I loved that little cart and I miss it, almost as much as I miss you.
We don’t have the Internet out here on the farm, as my father thinks it’s a superfluous expense. So I’ve taken to riding the train to the nearest library. Still, I have the credit card I got while I was in the States, and I used it to buy you a copy of this software that teaches you Chinese. The code for downloading it’s enclosed with this letter. I’ve also sent you a voucher for an airline ticket, which should bring you out here around our New Year’s celebration.
You’ve got six months to learn enough Chinese to not piss off my dad.
No pressure.
I’m kidding. I’m sure you’ll get along fine. Still, a few key Mandarin phrases won’t hurt. I’m sure your dad won’t be too happy with you skipping town on him, and I know your work is important to you. I’m not going to ask you to run away or anything like that. Just come see me, or at least write back.
I miss you more than words can say.
Love,
Yuan

Sure enough, the envelope had a print-out with a download code and another with information on a cross-Pacific flight. She read and re-read the letter several times, and a plan began to take shape.

The exchange of letters between her and Yuan quickly became preoccupied with the particulars, as she practiced her writing of Chinese characters and he gently corrected her sentence structure. She saved all of her excitement and anticipation for after hours, ensuring her productivity remained at its usual high level. With her father pleased, he left her relatively alone. She worked her vacation request through the HR department like any other employee, knowing that her father tended to ignore the scheduling calendars of other people in his company as long as nothing they did interfered with his meetings. The Friday before she left, however, he knocked on her office door.

“A two-week vacation, and I’m only just now hearing about it?”

She didn’t look up from her paperwork. “I’m the top earner in the company three months running. I’ve earned some time off.”

“The HR calendar doesn’t say where you’re going.”

“I didn’t see how it was anybody’s business.”

“What if you’re going someplace dangerous?”

“You mean like five blocks from here? I’m not going to stay shut up in this office or my apartment because of a minority of ultra-violent whackjobs.”

“I see your point.” He lingered at the door, watching her work, before he disappeared. When he came back, he closed the door behind him and placed an envelope in front of her.

“What’s this?”

“I moved you up to first class.” He stood before her desk, his face inscrutable. “I won’t have you on a cross-ocean flight for hours on end cramped in a coach seat. My daughter deserves better.”

She looked at the envelope, then up at her father. “You know where I’m going, then?”

“Yes. And I know why.” He paused. “You’re right. You deserve your vacation, and the reason you’re taking it there is my fault. I was… I was scared.”

She blinked, breath caught in her throat. He tapped the envelope, not looking her in the eye.

“I know this won’t make up for what I did. But I had no right to take away something that made you happy just because I feared it getting in the way of business. I’m your boss, but I’m also your father. I can’t let one overwhelm the other.” The muscles in his jaw danced. “I know people say this company’s all I’ve got. But, really, Caroline… it’s you. You’re all I’ve got. And I’m scared of losing you.”

She took his hand. “You’ll never lose me, Dad. Not really. But I can’t always be here. Not when my heart is somewhere far away. I miss that little Chinese cart and the sweet guy behind it more than anything, and I’m sorry it took you this long to understand that.” She smiled at him. “Don’t be scared. I’m going to come back. But I need to see him. You understand that, don’t you?”

He nodded. “Take the time you need, be safe and come home. We’ll be waiting for you.”

She got up from her desk and hugged him. It was the first time they’d hugged in years. Phones rang elsewhere in the building. Emails poured into inboxes. The Weavers ignored them. For that moment, they weren’t co-workers anymore. They weren’t commodities traders. They were a family.

Two weeks later she was in China. Fireworks exploded in the streets. Paper dragons chased parades and lanters swung as people went hither and yon during the festivities. Yuan and Caroline walked hand in hand.

“I’m sorry my dad’s not in better health.” Yuan smiled a bit in spite of his mood. “It turns out I came home at just the right time. Getting into the groove of running the farm took longer than I thought it would, but we’re seeing better business than ever.”

“I’m glad something good came out of that. I was worried for you.”

“I know.” He squeezed her hand. “And your Mandarin sounds good. I know you’ll keep practicing when you go home.”

She leaned her head on his shoulder. “Let’s not talk about that yet. I know I have to, that it’ll be a long time before we make this work. If we ever do. For now… for now, I just want this.”

He nodded, and smiled. “Let me take you home, then, and make you some lo mein.”

Firecrackers popped nearby. Miss Weaver smiled at her cowherd. “I can’t wait.”

Remembering Roger

Normally this would be my writer report. But I haven’t been writing as much as I should for a variety of reasons, most of which are flimsy excuses so I’ll spare you. I was going to engage in a little thought experiment to try and grease my wheels, but something of impact happened yesterday that bears some discussion.

Roger Ebert’s dead.

I grew up with Roger and Gene Siskel. He was one of the first film critics I was exposed to, and his back and forth with Gene introduced me to intellectual discourse. I was very young at then so I didn’t get out of it what I might now, but I was at least shown what it’s like to have two adults who respect one another professionally disagree on something. Sure, voices got raised from time to time, but it was still constructive and positive discussion, a far cry from a great deal of the Internet upon which many of us now pontificate.

And yet, much of his work set the precedent for several careers on the Internet. His work and persistence and intelligence and willingness to work with his audience, not necessarily against them, demonstrated that criticism as a career was more than just a tiny niche to be filled on the inner pages of newspapers; instead, they could be voices on their own, and possibly even celebrities.

I know there are some people in the video gaming community who weren’t fond of him. He wrote an essay saying that he didn’t see video games as art. In the face of the backlash from this, though, he neither retracted his statement nor closed off his avenues of feedback. He engaged, discussed, and fostered thought. More progress and discourse came out of this back and forth with Roger Ebert than with just about anybody else out there, and it came out of one essay. One. That’s powerful, thoughtful writing, and any critic or blogger or journalist out there should aspire to have that sort of impact.

He battled cancer. He lost parts of his body in that fight. And he kept on writing. He kept on thinking. He never gave up on movies, or art, or his audience.

He’ll be sorely missed.

Good Games Never Die

Courtesy LucasArts
Badass biker antiheroes with chainsaws never stop being awesome.

The announcement came down yesterday that Disney is pulling the plug on LucasArts. While it seems unlikely that Star Wars games are going to go anywhere, because it’s a cash cow that never seems to run out of milk no matter how past expiration it might be, the prospect that many of its adventure games will never see new content or sequels. No new Full Throttle. No new Grim Fandango. No new Day of the Tentacle. Even TIE Fighter and its ilk seem to be fading into the annuls of gaming history, never to return. We’ll never see games like these again.

… Okay, that’s hyperbole, because good games never die.

The fact that LucasArts has finally been given the mercy of being walked behind the shed and bade farewell before Disney pulled the trigger on Walt’s old scattergun doesn’t mean the developers of the beloved games also got sent to a farm upstate. Tim Schafer‘s Double Fine is doing just fine, and as I write this something flavored like an old adventure game is supposedly being developed with all of that luscious Kickstarter cash. Likewise, a spirital cousin to TIE Figher was Wing Commander, and Chris Roberts is also using crowdsourced funds to develop the eagerly awaited Star Citizen. Here and there, the minds behind the games now locked away in Disney’s vaults are still working to make new and interesting adventures for us. Not all of these games will be perfect, of course, but there’s plenty of hope for the future.

They’re not the only ones working on it, either. TellTale Games is becoming a company whose hallmarks are high quality games with either great, broad appeal (Poker Night) or the resurrection of high-quality adventure gaming (The Walking Dead). With their growing success and attention given them by various “top games of 2012” lists as well as being featured on Extra Credits, it’s clear that good adventure games are still something gamers want. To paraphrase what James says, to declare a genre of game (or just about anything else) ‘dead’ is a declaration of rather silly hubris; things of the past don’t necessarily lose their appeal just because they’re old. If you want a good example of something of quality never truly dying, look no further than the Muppets.

Finally, even if another new adventure game were never to hit the shelves, be they real or virtual, the old ones haven’t really gone anywhere. Some of them, however, have been so outstripped by technology that it can be difficult to get them running properly on modern machines. Enter services like Grand Old Games, or GOG. From Gabriel Knight to King’s Quest, from Myst to Sam & Max, many of the nostalgic cravings of adventure game veterans like myself can be sated by this service. It’s where I got my playable copies of Wing Commander, after all, and I was playing System Shock 2 in preparation for BioShock Infinite. Once that and some other modern games are out of the way, I have my sights set on nostalgic trips into Stonekeep and Beneath A Steel Sky.

I believe that good games never die. And if someone calls them dead, I’ll be one of the first to raise them. Once a necromancer, always a necromancer, I guess.

Movie Review: Les Miserables

I’m one of those kids who grew up in the 80s, and along with a love of Transformers and a front-row seat for the growth of home computing from the Apple ][e to the iPad and Google Glass, like many kids in the 80s my soundtrack for road trips foisted on me and my sisters by my parents was those of Broadway musicals. One of the very best that was often asked for by both my sisters and myself was Les Miserables. The big broad tale adapted from Victor Hugo’s 19th century novel makes for a fantastic stage production. It has fantastic music, deep and complex characters, a fascinating backdrop… and it tries really, really hard to be one of the grandest films ever created.

Courtesy Universal Pictures

Our story begins with Jean Valjean, a convict of 19 years who finally gets paroled much to the chagrin of local constable Javert. After an encounter with a benevolent and deeply patient and understanding bishop, Valjean does everything he can reinvent himself as a good citizen. He becomes the owner of a factory and mayor of a small town, before one of his workers, Fantine, is shunned so hard out of the factory she turns to prostitution to pay the bills of her daughter, currently living with a corrupt innkeeping couple. When she dies, Valjean swears to take her daughter into his keeping. He raises her as his own, pursued by Javert, and becomes involved in the June Rebellion of 1832.

The scope of this tale and the involvement of the characters with real events poise it on the edge of truly epic territory, and the revolutionary zeal that permeates the third act definitely reinforces this status. Les Miserables is bent on demonstrating that people can be capable of great change, be it in themselves or for society, and gives examples of both success and failure. Add to this a memorable and moving selection of songs that run the gamut of emotion, from determined resolve to the first pangs of love to despair and loss, and it’s clear why this stage production of this novel has stood the test of time. And now we have a film adaptation of that stage production of the same novel, and unfortunately, something got lost along the way.

Courtesy Universal Pictures
The actors really do give their all.

I’m sure a lot of people would jump right into the most immediate flaw in the production, which is the delivery of the songs. Some new songs were added and others had their lyrics changed, which in and of itself can infuriate hardcore Les Mis fans the way the absence of Tom Bombadil from the Lord of the Rings trilogy enrages hardcore Tolkien fans. A good deal of a song’s quality, however, is in the delivery rather than the lyrics, and that means somebody has to sing them. For the most part the cast does an admirable job, with obvious standouts being Hugh Jackman, Anne Hathaway, and Samantha Barks. However, Russell Crowe presents a problem. He’s a great actor, and his singing voice is perfectly fine, even if his range seems a touch limited based on what we hear. The problem is, there are times when he has to transition from singing to acting, and you can almost hear an audible clunk like there’s something stuck in his gearbox. And Amanda Seyfried, lovely as ever, sounds almost nervous at times, in a way that has nothing to do with her character, as she tries to sing some of her lines. How much of this is actually on the cast, though? Let’s pull back and look at the film from a broader perspective.

Les Miserables was directed by Tom Hooper, late of his Oscar-winning direction in The King’s Speech. I like Tom Hooper – his work on the John Adams mini-series is exemplary – but something is just off on his work in Les Mis. He made the decision to have his actors sing on-set, with no dub-overs and (apparently) minimal sound correction. This leads to things like nervous actors (Seyfried), actors having to make odd transitions (Crowe), and some songs just not ringing as true as they could. A key moment in Jackman’s “Who Am I” feels undercut by what must surely have been a decision by Hooper. On top of this, most of the songs are presented with the camera directly in the face of the singer. While this does push the actors to emote in a believable way that evokes pathos, and both Hathaway and Jackman are clearly up to the task, it tends to rip the context out from under the songs. Instead of imagining these high emotional moments in the backdrop of the events in the character’s life, we get the moment encapsulated and isolated in a way that disrupts the narrative flow. As good as the music is, focusing this tightly on it causes the story to suffer and makes the issues in any song all the more glaring.

Courtesy Universal Pictures
You had one job. ONE JOB, JAVERT.

I’ll say again that I like Tom Hooper, and he still manages to present some excellent shots in Les Miserables. He does discomfort, tension, intimate character work, and historical atmosphere very well. However, the film never really clicked for me. I like the songs, but they didn’t have the punch they could have. I was moved to tears, but not as much as I could have been. This sort of film is very difficult to review because it both tries hard enough that I want to come down on the side of recommending it, but also makes more than enough mistakes to warrant giving it a pass. I’m sure there’s a song in there somewhere.

Stuff I Liked: 19th century France never felt squeaky clean or over-produced. Helena Bonham Carter and Sacha Baron Cohen make great Thernadiers. Costume design was good. As I said, Hooper presents some fantastic shots here and there.
Stuff I Didn’t Like: The constant close-ups were at first unnerving, then annoying. A little editing of the songs could have smoothed over a lot of issues. Russell Crowe feels misdirected in places, which undercuts an otherwise exemplary performance. Marius and Cosette’s romance feels a touch ridiculous as presented and much of the third act seemed a bit rushed.
Stuff I Loved: Jackman and Hathaway are absolutely fantastic. For all of the faults in his performance, Crowe does a great job with the complex and compelling character of Javert. Despite their changes and presentation, many of the songs still have their emotional weight and power, especially “I Dreamed A Dream”, “Bring Him Home”, and “Empty Chairs at Empty Tables”.

Bottom Line: I wanted to like Les Miserables. What it manages to accomplish is admirable. But, unfortunately, it stumbles too much and makes too many mistakes to earn a strong recommendation. You would have just as good an experience listening to the soundtrack from either the film or the musical, and nothing will compare to seeing it on stage. Granted, the film version is cheaper, but this is truly a case of you get what you pay for.

Boil Those Bones

Courtesy A Fridge Full of Food

Writers, from what I’ve experienced, tend to be pack rats by nature. We hold on to a lot of things, from old knick-knacks to old photos, and especially old manuscripts. I have yet to meet a fellow author who’s said “Yup, I destroyed all my old stories completely.” Even if they never see the light of day, for whatever reason, we keep the old things around. And time, let’s face it, is not always kind to old ideas.

However, an equally undeniable fact is that some ideas do hold up to the test of time. Flash Gordon remains a cult classic just as much for its simplistic presentation as for its high-octane camp. Fans continue to clamor for more Star Wars even though the first movie premiered over 35 years ago. It’s entirely possible that one of those old manuscripts holds a core element or key idea that can be planted in fresh, unwritten soil, to grow into something entirely new. Or, to go with a more carnivorous analogy, the meat may be rotten but the bones are intact. And the bones can use used as stock for something new and delicious.

But first, all of that old meat has to come off.

It can be difficult to strip an old story down to its bare elements, to delete thousands upon thousands of words that you might have spent hours or even days working on. But it has to be done. Hopefully, you are not the writer you were years ago. You’ve grown, learned, and gotten more used to your voice and your pace. You know what makes good characters, be they heroes or villains or some poor schmuck caught in the middle. Your descriptions are no longer than they have to be. You keep it simple. You grab the reader by the scruff. You kill your darlings.

Any meat of the old stories that doesn’t do the above can come off of the bones.

It’s messy work. It can take a while. And it’s one thing to kill a darling; it’s another to dismember it, to rend it to pieces that your dog might find questionable. But it has to be done. What else is that old manuscript going to do for you?

Be you starved for a new idea or wondering how you can make an old one work better, to create you must first destroy. Get the rotten meat off those bones, then boil them in the clean water of a fresh and cleared mind. Start a new outline. Drop in the bones (the plot points & ideas) and build something new around them. You might be surprised at the results.

That’s how I’d go about it, at least.

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