This has become something of a tradition. BioWare’s games tend to eat up a lot of my time, and the habit has become to dash out a post as I push myself towards the usually somewhat disappointing ending. I’m doing my best to keep my fingers in my ears to drown out all of the entitled whining, bitching, and moaning going on regarding Mass Effect 3, so before I reach the conclusion of an overall fascinating sci-fi trilogy, let me break up the crusty surface of cynicism that is current gaming-related writing and talk about something sweet.
Or rather, someone.
Back when I first played the original Mass Effect, I thought all of the characters had something going for them. Even if Ashley Williams was a horrible racist, she was interesting. Saren, despite being the villain, did what all good villains did and had nuances to explore and motivations that, while extreme and ultimately very wrong, one could understand from a certain point of view. But as much as I loved sniping with Garrus or headbutting with Wrex, over the appeal of a blue-skinned bisexual bookworm, I was taken by Tali’Zorah nar Rayya.
From the very start, Tali showed she was fully capable of taking care of herself in a galaxy poised to swallow up a young woman out on her own for the first time. Very smart, unflinching in combat, and with a wicked tongue adept at snark, Tali’s experience with machinery made her an invaluable asset in the fight against Saren and the geth. Indeed, her experiences not only helped her complete the Pilgrimage her people all took on the cusp of adulthood, but also allowed her to return to the Migrant Fleet with more information and confidence than she could have imagined at the start of it all.
My primary Shepard is male and is trained as an Infiltrator. This unfortunately meant that he and Tali shared some redundant skills, so the adventures they shared on that first outing were not as numerous as they would have been otherwise. I took the time to talk with her as much as I could on board the Normandy, at least, but there was no option to really get to know her better, not like there was with Liara or Ashley. And considering I wasn’t about to let Kaiden die if I could help it, that limited the infamous romance options to Mass Effect to exactly one.
And then BioWare announced the option to romance Tali would be in the sequel, Mass Effect 2.
Sing, choirs of angels.
Considering this was long before Lair of the Shadow Broker, it seemed that Liara would remain a distant figure throughout the second game. I was okay with this for two reasons. One, it added a lot of much-needed depth to her character and made a great deal of sense given her brilliant mind. The other one, of course, was that I could look into Tali’s feeling without feeling a great deal of guilt. That was my rationale for that play-through, at least, and it was worth it to hear Tali stammering a little when the subject came up. Seeing Tali grow between games into a full-fledged adult Quarian with responsibility and leadership skills was heartening. Tali’Zorah vas Neema (and, later, vas Normandy) continued to show exemplary skill in Mass Effect 2, and provided an emotionally charged loyalty mission that is still very much worth doing even if you’re not pursuing her romantically.
I know there are some out there who consider romancing Tali a somewhat creepy option. It’s possible to see her as just another video game damsel in distress, a fulfillment of some sort of juvenile male power fantasy involving a young and ineffectual girl unable to survive without the strong hand of a man behind her. When I look at Tali, though, I don’t get that. Setting personal bias aside, her first encounter on the Citadel has her brushing off unwanted attentions, easily evading capture through clever deception and explosives use, and immediate participation in the ensuing firefight. She can handle herself. She doesn’t need a man in her life. And being attracted to that capability, that bravery, and those smarts is creepy? Seriously, I do not get “cool” cynical hate-filled gamers sometimes. Making decisions in Mass Effect 2 specifically so she has no option but to stay with you, though, that is creepy, and a little sad.
Anyway, after a Hardcore play-through as a female Vanguard, I resurrected my Infiltrator to play through both games on Insanity. Revisiting the first game was fun, and also afforded me with an opportunity to make a few decisions differently, including deflecting advances from both female characters. Basically, I held out for Tali. And considering how things have turned out so far, now that I’ve completed events on the planet Rannoch in Mass Effect 3, I can tell you it was definitely worth it.
Games need more characters like Tali. Her presence is strong, a good mix of smarts and combat capability, with occasional touches of femininity and deep emotion that make her far more interesting than most obligatory video game love interests. To me, at least, she’s one of the best things about the Mass Effect trilogy in general, and this final game in particular. So far, at least. We’ll see how that bears out at the end.
If you’re into Warhammer 40,000 I heartily recommend the blog For Holy Terra. They recently had a cool little “Reverse Painting Contest,” and I thought I’d share my entry with you, since this week has been extremely busy and I have nothing else prepared.
++++++++++ CLASSIFIED INFORMATION FOLLOWS – EYES ONLY – PUNISHABLE BY DEATH ++++++++++
We were unprepared for the sheer amount of civilians turned by this cult. You have to understand, most of the men under General Corvinus’ command were career Guardsmen who’d chosen to settle on Serevar, raising families and establishing homes. To see those homes burned and familes and friends turned to mindless, screaming followers of some blaspehmous god was too much for some to bear.
Even the sight of the Chaos forces arriving through tears in the Warp didn’t shake some of them from their catatonic states. The laspistols of the Commissars were working overtime. I was worried that so many summary executions would leave us without adequate forces to defend ourselves. The cultists had taken out our orbital links. Help would not arrive in time. It looked more and more like my Kasrkin and myself would be the last line of defense between those stalwart enough to hold to their faith and the seething, stripping, screaming tide of human flesh craving their blood.
We’d taken our positions. Thoroughfare barriers made for poor fortifications against the traitors and their archaic plasma weapons and artillery, but it was all we had. We told people to stay in their homes. We checked and re-checked our hellguns. We listened as the command post was overrun, General Corvinus falling back to behind our line. And I lead my men in prayer.
When I heard the bike engines, I feared the worst.
I couldn’t see them, at first, but I could hear them. When I did catch a glimpse, it took precious seconds to register what I’d seen. It wasn’t the garish colors and deadly spikes of the enemy armor. It was gray, like slate or cold steel, blending into the ferracrete of the buildings. Other figures took positions on top of the buildings behind us. I heard the phut-phut-phut of sniper rifle fire, and former friends and family began dropping, perfect holes in their faces, trampled underfoot by the meaty shields pushed by the traitorous warriors.
The sight gave my men hope. We opened fire with our hellguns. We burned body after body as they hurtled towards us. I couldn’t count on our weapons being as effective on the ancient but powerful armor once worn by the Emperor’s finest warriors, but what choice did we have? Kasrkin don’t back down. Even when the traitors broke rank and charged us, raising vicious chainswords and opening fire with their bolters, we stood fast. We began to fall but we returned fire. I prayed I would live long enough to take at least a few of the blasphemous monsters with me.
And then the drop pods began to fall.
The one that landed directly behind us shook the ground, forcing us to our knees. By the time we recovered, between each one of us left standing was a Space Marine with a heavy weapon. In the field, the pods split open and gleaming warriors in the same grey armor I’d seen poured into the fray. One was sheathed in blue, the mark of the psykers they call Librarians. Was he the reason they’d arrived when they did? Had the path of the Chaos forces through the Warp gained their attention? Whatever the cause, the Space Marines destroyed the traitors and their heretic followers in short order.
General Corvinus came out to greet his saviors. I was too tired to protest. The Librarian met him, then stepped aside for an even taller warrior. He carried his helmet under one arm, his right hand resting on the bolt pistol holstered at his side. I heard Corvinus greet him as “High Commander”. They traded a few words before the High Commander drew his sidearm and shot General Corvinus in the head. The Space Marine then turned his attention to me.
“You will lead these men.”
With that, he and his battle-brothers left the field. My promotion was waiting for me when we returned to the garrison. We later learned Corvinus was engaged in heresey and Chaos worship himself, at least according to Inquisitorial sources. The agents who informed me of this also disclosed the Inquisitor who employs them is upset that the Space Marines arrived here before they could. That is, however, their opinion even if it is only one I share.
Repairs on the planet’s surface continue and members of the Ecclesiarchy minister to the survivors. All is well, for now.
++++ THOUGHT FOR THE DAY: Educate men without faith and you but make them clever devils. ++++
History:
The Imperial Wraiths were mustered out of the Imperial Fists during the Second Founding. The goal was for the Force Commander at the time, Titus Obscurus, to take initiates showing promise in infiltration and develop those skills along with standard combat training to carry out covert operations against the enemies of the Imperium. The Imperial Wraiths were ceded the second moon of Xellious VII in the Hawking Sector, with other planets in the sector serving as recruitment worlds.
However, not long after the chapter was established, tragedy struck. An excavation on Xellious IV unveiled an ancient artefact of unspeakable power. Before the Inquisition could intercede, the artefact was activated and Chaos energies swept over the planet. Aspects of every unclean god overthrew the minds and bodies of the population, and traitorous legions spewed forth from the Warp. Within a fortnight, the entire sector was in turmoil and the fortress-monestary on the second moon of the seventh planet was scoured by the fires of Tzeench.
After pitched combat with these forces, the Imperium managed to reclaim the sector. It seemed, however, that the Imperial Wraiths had been lost. Decades passed before evidence to the contrary emerged. On the other side of the Imperium, before any other Space Marines could respond to a planetary distress call, a massive cathedral-dreadnought dating back to the Horus Heresy emerged from the Warp. Drop pods in shades of grey rained from the sky, producing Space Marines with grim determination and heavy weaponry. They bore iconography that was a pale reflection of their previous symbols and called themselves the Tenebrous Wraiths.
Rumors are that it was one of the Wraith’s own Librarians who oversaw the excavation of the artefact that nearly destroyed the chapter and they have chosen to remain apart from their battle brothers out of shame. An even more insidious contention is that they are in the throes of a Chaos god, a tool of deception to lull mankind into a false sense of security. While no injunction has been issued forbidding them from approaching Holy Terra as yet, the Dies Irae Veniendum Est invokes as much dread as it does relief when it appears in orbit around a world. Their unpredictable movements, taciturn behavior and nihilistic prayers make others uneasy, but in combat they are every bit as implacable and righteous as their more boisterous battle brothers.
Organization:
In an attempt to allay some fears amongst the Inquisition, High Commander Brutus Obscurus submitted a general report on chapter strength to the Ordo Hereticus. His first contention was that at no time has the chapter deviated from the Codex Astartes, despite tumultuous periods in which the chapter astropaths struggled to navigate their massive home successfully through the Warp. He claimed the cathedral-dreadnought is home to four battle companies, each consisting of three tactical squads, three devastator squads and two assault squads, as well as a dedicated recruit company and a command company of five librarians, six chaplains, four squads of veteran space marines. The report contains a total mustered strength of just under four hundred battle brothers.
The only individuals permitted to ascend to the Dies Irae Veniendum Est are recruits. Dignitaries, regional commanders and other Space Marines are always met elsewhere. This makes it difficult to gauge the exact nature and capabilities of this vessel, which is slightly larger than a battle barge but appears to carry fewer weapons. The Chapter does not maintain any other battle barges, only a handful of strike cruisers to escort their final bastion. Manufactorium parts and raw materials are either acquired in the field of battle or ‘requisitioned’ from planetary governments. Still, the Techmarines of the Tenebrous Wraiths appear to be up to date on current pattens of Imperial wargear, and no Space Marine of the chapter bears any appearance of Chaos influence.
Recently the Tenebrous Wraiths acquired the means to produce Terminator armour from the forges aboard the cathedral-dreadnought, but the Techpriests of Mars insist that such manufacture is time-consuming and costly in raw materials. Nevertheless, the chapter’s armored strength remains diminished, with only six Land Raider variants, eight Predators and two Vindicators. They have no Whirlwinds or Land Speeders to speak of. They do, however, have a great number of Rhinos, Razorbacks and bikes, and it appears that the Dies Irae Veniendum Est was retrofitted in such a way that most of its planetary bombardment capabilities have been replaced with increased Drop Pod capacity.
Heraldry:
The cloaked spectre of the Imperial Wraiths is gone, replaced with the stark skull-and-scythe iconongraphy the chapter now bears.
Previously, the colors of the chapter were white with yellow trim, in honor of Dorn’s Imperial Fists. After their disgrace and absence, they opted for a gray pallate with brass trim that harkens back to the glory days before the Horus Heresey. The left pauldron always bears the icon of the chapter, while the right is colored to match one’s squad: white for scout, green for tactical, orange for devastator, red for assault and silver for veterans.
Tactics:
The Wraiths often dispatch a Thunderhawk with scouts on bikes before making their main assault. These scouts report on enemy positions and strength. Once the field is mapped, drop pods rain from the sky. Against entrenched enemies, armored units may be dispatched, but in those cases the task of the armor is to breach the enemy defenses to allow rapid transports to surge into the enemy and dispense death by bolter and chainsword.
++++ THOUGHT FOR THE DAY: It is better to die for the Emperor than to live for yourself. ++++
“Let it be known we choose to stand in shadow.
We who have seen Man’s heroes become villains.
We who remember the best of us falling to the worst.
We who seek to cleanse our Galaxy of our weaknesses.
Let it be known we protect the light of the Empire,
and in its shadow we stand eternal and vengeful.
We are the Wraiths. We shall not forget.
From the Shadows! To OBLIVION!” – Pre-battle benediction of the Tenebrous Wraiths
If you have any connection whatsoever to video games in general, you know Mass Effect 3 got released yesterday. Reviews are up all over the place, including this great one at the Escapist, along with the requisite whining from entitled gamers about how the DLC issue should have prompted a boycott and conversations about leaked ending footage, blah blah blah. For me it’s off to a good start, even if the character of Jason Vega is a little ridiculous, but what has my attention, not just as a gamer but as a writer, is how tense everything feels.
In the previous game, there was a lack of urgency save for the very last mission. You could putter around the galaxy doing whatever you liked and there was no consequence for it. I highly doubt Mass Effect 3 will punish me for going after side-quests or taking time to chat people up, but now I have a feeling for the stakes right from the beginning. The threat is not imminent or implied – it’s here, and needs to be dealt with now.
This feeling of tension is bleeding into the dialog. BioWare’s always been decent at characterization through conversation, and so far this game is living up to their other best titles. There have already been moments within the scant few hours I’ve played where characters have left things unsaid, conveying emotion far more deeply in the spaces between words than in the words themselves. While some of these moments are open to interpretation based on how you personally want to play the game, the fact that this depth and complexity exists at all in a modern AAA shooting game earns early top marks from me.
Deus Ex: Human Revolution did this, too. Being a man of few words, Adam didn’t always say exactly what was on his mind. Especially after the attack that lead him to becoming an augmented one-man assault force, he plays things close to his ballistic vest. The nature of the dialog bosses and the moment when he reaches what he believes to be his ultimate goal make great use of tension. It’s clear evidence that the right word, spoken or unspoken, can have just as much power as a well-placed bullet.
In games it’s very easy to let the dialog fill in expository gaps to get the player from one shooting gallery to the next. It’s far more difficult to make the player care about the pixelated people involved in the action. By showing instead of telling, by keeping this tension high and filling conversations with hesitation and uncertainty, the writers give the action that follows more weight. We don’t just want to survive the firefight or earn the rewards or teabag the bag guys. We want to find out what happens after, what the next conversation holds, if the guy gets the girl (or guy) who clearly wants to their feelings to be noticed even if they don’t say anything about them, if an issue is going to be dealt with or avoided… It’s the tension, not the shooting, that keeps the narrative moving. This isn’t just a good thing. It’s a great thing.
You can, and should, do this as well in your writing. By keeping conversations tight and holding back on exposition and explanation, you make your reader want to know more. The promise of answers, not necessarily the delivery, is what will compel them to keep reading. While some stories may dangle the carrot of satisfying answers in front of you until the end before slapping you with the stick of deus ex machina or some other form of bait-and-switch, good ones leave things unanswered entirely so readers keep thinking about the story after it’s done. Did Richard and Pixel live after The Cat Who Walks Through Walls? What happened after the end of Serenity? Did Cobb actually make it home at the end of Inception? What’s Coburn’s next move after the end of Double Dead? So on and so forth. These stories raise questions at the beginning and answer them at the end, with plenty of tension in the middle and enough left at the end to leave us wanting more.
If Mass Effect 3 can pull this off, I’ll be quite pleased. And if it doesn’t, you’ll be damn sure I’ll tell you about it.
In this blogging space I’ve talked about writing and gaming in tandem. I’ve tried to give each a fair amount of time, but I’ve never really examined the connection between the two. Other than the overactive imagination, I think a big part of my inclination towards these activities is my tendency towards theorycrafting.
I haven’t been playing Magic: the Gathering that often in the last couple of weeks, mostly due to the hours I’m spending at the office lately. But I do love deck construction. I like seeing the cards available to a particular set or format and trying to find ways of putting an effective threat together, especially if it’s in a way that’s been unexplored. They don’t always work, of course, but that’s part of the appeal of experimentation: taking a chance to see what happens. I try to plan as many contingencies as I can before the game even starts.
The same could be said for the way I approach League of Legends. I spend some time looking over the abilities, statistics and build orders of various champions, toying with different sequences and combinations. When Nautilus was released a few weeks ago, I found his art, story and kit so appealing I picked him up and started toying with builds immediately. In fact, I’m still doing so, in order to find that balance between taking punishment and dishing it out. I may go more in-depth at another time as to why doing so in this game feels more satisfying to me than, say, StarCraft 2, but like my Magic decks, crafting and tweaking a champion’s progression long before I fire up the game is rewarding, especially when I manage to help the team win.
Part of this may be due to my experiences as a Dungeon Master. I delve into rulebooks and supplementary material, draw up maps, lay out stats and even stories for the NPCs and so on. I used to lay out elaborate and somewhat linear stories to lead my players down, but I realized quickly players want elbow room and freedom to choose for themselves. While this undermined my desire to tell a specific story somewhat, it also allowed me to plan more of those contingencies I like to ponder. DMs and players share these stories in equal measure, after all, there’s no reason for one side of the screen to hog all the fun.
This thread does carry through to my writing. It’s been said that writers are either ‘plotters’ who plan things out before pen hits papers (or fingers hit keyboard), ‘pantsers’ who fly by the seat of their pants, or a combination of the two. You can read more about the distinction here. For my part, I’m definitely more of a plotter than a pantser, with a great deal of time devoted to outlines, character sketches, expansion on background elements, and research relevant to the story. The problem with all of this theorycrafting, though, is that getting wrapped up in it can take time away from the actual writing that needs to happen. Then again, I know that if I don’t take the time to figure out where I’m going in the first place, I will hit a wall and sit looking at it for just as long.
Do you indulge in theorycrafting? Or do you jump right into things?
Behold, Whovians. My USB hub involves Time And Relative Dimensions In Space. I can connect to SO many devices. Some of them aren’t even of human manufacture! Muahahaha…
…okay, it’s a silly USB hub shaped like a TARDIS. I don’t need it. But it makes my life easier and it’s really cool-looking, in my humble opinion.
The TARDIS hub is, in a way, a lot like a video game’s downloadable content, colloquially called DLC.
I’m a consumer in general, of media in particular. Be it through conditioning or simple instinctual inclination, I like little optional extras. I like having a car charger for my iPhone that also has an FM transmitter. I enjoy samples of wine before a meal. And if there’s art or music above and beyond what’s included with media I really dig, you can bet I’ll be finding ways to check it out. Heck, as I type this supplemental material to the Internet narrative comic phenomenon Homestuck is winging its way to my door. Well, not winging so much as rolling, as it’s coming USPS, but you get the idea.
But I know none of these things are necessary. My life will not be diminished if they were absent. Plenty of people get by without things like this. I’m just in a position where I can enjoy such optional extras.
DLC is a lot like that.
In recent years it’s become the practice of certain big software publishers to bundle their new releases with DLC that is only available to those who pre-order or buy new. The DLC in question usually becomes available later for an additional fee. In Dragon Age: Origins, the character of Shale was only included in the initial release of the game if it was purchased new. If you got a copy second hand, you’d be deprived of the bird-stomping golem unless you paid $15 US. This was due to a launch date developers were struggling to reach, causing them to cut Shale from the project until the date was pushed back.
Deus Ex: Human Revolution is another example. Pre-orders of the game from certain vendors featured the Explosive Mission Pack. This includes a bonus mission involving an important character that has appeared throughout the Deus Ex storyline in both previous games. The reward for completing it is an interesting bit of continuity and a wickedly powerful weapon. If you didn’t pre-order the game, you can download the pack (as I did) for $3 US. It’s cool to have for story buffs and the like, but it’s no more necessary to that game than Shale is to Dragon Age: Origins. Don’t get me wrong, I love Shale; I just acknowledge that she isn’t an essential part of that game.
The reason I’ve decided to bring this up is the imminent Reaper invasion contained in discs and downloads around the world. Mass Effect 3 is coming, and some goofball on the Internet leaked its Day One DLC. Called “From Ashes”, it is included only with Collector’s Editions of the game and has a few neat points, which are outlined here. The biggest one is an additional character, a member of the Prothean race that has been part of the Mass Effect universe from the very beginning. From what I understand, this character is like Shale in that his content and very presence is entirely optional, and if you weren’t fortunate enough to pre-order a collector’s edition of the game, you can buy the DLC separately for $10 US. BioWare contends that the game is complete and “huge” even without this DLC.
Nonetheless, there is a LOT of uproar over this. Folks threatening boycott and saying that it’s EA’s marketing doing stuff like this that’s killing the industry and exploiting the consumer. I can see where they’re coming from. I don’t like the mentality of big business publishers when it comes to things like this, and as much as a lot of the backlash to “From Ashes” sounds like a bunch of entitled whining, this sort of behavior is a major shift from their previous Mass Effect title, which included a character and other enhancements as Day One DLC for free as long as you bought the game new.
This doesn’t change the fact that DLC is optional. Provided BioWare is honest about the completeness of the game without “From Ashes”, it seems to me that this Prothean character and the module’s other content falls under “nice to have” instead of “must have”. I’ve considered not buying the game myself as I don’t want to support toxic policies like this, but on the other hand I’ve been wanting to see for myself if BioWare can come back from its recent failures. If Mass Effect 3 turns out to be as lackluster as Star Wars: The Old Republic or as aimless and repetitive as Dragon Age 2, it’ll be the last time I buy anything from the company, unless it’s a copy of an older game I no longer have a disc for like Baldur’s Gate or something.
After giving it some thought, I’ll still be buying Mass Effect 3 but I will not be picking up “From Ashes” initially. Maybe if the game delivers on all of its promises and makes me forget all about BioWare’s unfortunate EA entanglements I’ll come back to it. But this really is like all other DLC and optional extras for consumers in general. Nobody’s entitled to it. It’s never guaranteed and while it’s nice to have, we can live perfectly fine without it. It is, at the end of the day, decidedly lavish crap.