Tag: Writing (page 8 of 47)

Raison d’être

Red Pen

You see it happening more often than not. People in a situation that isn’t working as intended or isn’t yeilding the results they need or anticipated try repeating the same behavior of failure instead of doing something new. They attempt to capitalize on repetition rather than initiating change. Albert Einstein (reportedly) calls it the definition of insanity, and Gordon Ramsay has admonished more than one flagging resturaunteur to “change, or die.”

There are a plethora of reasons why people don’t change. Some are convinced that the failures are flukes and the forumla that’s produced the failures will yeild success sooner or later. I guess they’re right, but as they say a broken clock is right twice a day. Others grow complacent or even lazy, and when something they’re doing fails, they either scramble to restore the status quo or shrug their shoulders and let circumstances fall back into place whichever way the world around them dictates.

It’s an attitude I can no longer tolerate within myself.

I don’t know what it is. Maybe it’s a result of Seth Godin’s excellent Poke the Box. Maybe I’ve seen too many friends succeed where I struggle to ignore the signals. And maybe I’ve been ignoring an essential truth about myself that’s gone unexplored for too long.

You see, I would never define myself as a programmer first and foremost.

It’s not that I consider myself bad at it. I’m not great, but I can get the job done while being easy to work with and puzzling my way through the problems that arise. The value I add to projects on which I work goes beyond my somewhat rarified knowledge of ActionScript and might have more to do with the way I work with people. The person down the row of cubes from you might be great at their job, but if they’re a pain in the ass to deal with you won’t take them work if you can help it. It’s the way we are.

However, it’s only ever been a job for me, never a career. Programming just pays the bills. It’s a rare morning when I wake up thinking of code and functions instead of distant worlds, fictional lives, even blog posts like this one. Excellent eloquence and deftness of syntax are things I’m far more passionate about than any of the programmatic challenges I’ve faced before or will face in the future. And bringing an attitude like that into a workplace where everybody around me does wrestle with code in their sleep, puts their passion on the table and made it their purpose cheapens things for them and makes me feel false, like an outsider looking in. It’s a world I understand, can relate to and appreciate, but it isn’t my world. And I need to face the fact it never has been.

We only have a few short years in this life, and I’ve spent too many going down a blind alley chasing a dead end.

I became convinced, by good people with good intensions, that writing would never pay enough. That I couldn’t make a career of it, that I needed to pursue something else. And I believed it. Instead of sticking to my guns, I hung up my spurs and took up a shovel. I’ve tried to get the spurs back on a few times, but every time I do at least one person with whom I work on a daily basis on this or that job looks at me funny. Why the hell would you wear spurs into a coal mine? It makes no sense, it’s silly is what it is, take them off or find yourself another mine.

And I did. Mine after mine, job after job, one after another for this reason or that circumstance. It isn’t working. When things are this cyclical, this consistently fraught with failure, one can react to it by struggling to maintain the status quo as quickly as possible, or examine the circumstances of the various failures and find a way to end them. If I’m to have any hope of accomplishing in my lifetime what I’ve wanted to accomplish since I was seven years old, when I wrote my first short story in my gifted education class (it was crap, but it was my first), I can no longer in good conscience treat my desire and acumen for the written word as just another hobby. I need to make more time for it, and that means being proactive in my pursuit.

I’d be lying if I said I wasn’t scared by the idea. My lizard brain would rather I fall back into old patterns, maintain the status quo, lower my expectations. For once, I’m disinclined to listen to it. It might be the safer, more responsible thing to do, and I acknowledge the possibility of yet another failure exists, but I can’t shake the feeling that it is long, long past time for me to try something different.

Being where I am now has everything to do with myself. As much as I’ve been given advice from others, it was me that listened, me that bought into certain ideas, me that interpreted signs and portents. I don’t blame my failures on anybody but myself. It’s because of me I went down those blind alleys, and it falls to me to get myself out again.

It isn’t enough simply to be. A reason to be is essential. It’s what changes mere existence to really living. I’ve taken hard roads to get where I am, and I’ve stumbled along the way. I’ve crashed and burned, broken promises, engendered disappointment and shattered hearts. Every mistake has taught me something and I’ve had to find ways to keep moving forward in the bloody aftermath. I’ve come too far to quit now, and I honestly feel I’m closer to being where I truly want to be now than I ever have been before. Listening to the lizard brain, giving into the fear of the unknown and the cold comfort of the status quo, feels more like a step backward. And if I step backward, I can’t move forward.

In other words, as Sun-Tzu put it, “Opportunities multiply as they are seized.”

Yet another way:

Excellence isn’t about working extra hard to do what you’re told. It’s about taking the initiative to do work you decide is worth doing.

Smart guy, that Seth.

The Future of Free Fiction

Bard by BlueInkAlchemist, on Flickr

With March here, I’m taking a look at how this Free Fiction project’s gone so far. It hasn’t been bad, but it hasn’t been that great either, especially if I want to do anything significant with it.

I think the idea of retelling old myths with newer genres still has merit, but getting it out to people in such a way that I know it’ll be enjoyed and distributed, as well as being quality writing I can truly be proud of, is going to take more than dashing off a story as quickly as possible to meet a deadline.

What I’ve already written is not my best work, taken overall. Some of it’s not bad, some of it needs some revision and editing. Rough patches need smoothed over, sketchy corners need to be filled in and it all needs to flow together properly. This is something that will take some time, and it will mean that the end result will be different from what’s currently sitting in that subdirectory of the server.

The big question is if people will be willing to pay for the final result.

Anthologies, even on a service like Kindle or B&N’s BuyIt, can be a dicey proposition. They’re cheaper than mass market novels, to be sure, especially with some publishers still trying to figure out a reasonable price point. Blizzard, seriously, $13 for the Kindle edition of The Shattering? Maybe the price will come down when the paperback edition arrives, but I’m not going to hold my breath, if I’m honest.

The question becomes, if I mean to blend these currently raw ingredients into a tasty anthology to earn some extra bucks, what becomes of the extant fiction? For one thing, I need to move it to a monthly schedule for the time being, until things on my end of the keyboard shake out a bit more. Maintaining a day job, working on a new novel, churning out query letters for a completed work and brewing up articles to feed into my pitching machine can be a difficult schedule to juggle, and I mean to up my game on all writing fronts. I’ve been letting my real passion lurk in the areas of ‘hobby’ and ‘passing fancy’ for far too long, and it’s time for me to change that.

What I think will work best is paring down the current offerings in the Free Fiction section to samples. A synopsis of the story, background on the origins of the myth and the genre, and a snippet of the actual text. This will pique interest, show my writing chops and maintain the content in the area, without needing to worry myself overmuch over the final fictional product right away. I can also release samples of novels and other works this way, and if a story does spill out of my brain with no place in either a novel or anthology, up it goes on Free Fiction!

Writerly types, those of you with real ink to your names, I need you to sound off. Is this a good idea? Am I going in the right direction? Or should I forget the thing entirely and keep on filing those TPS reports?

Kindle-ing

Courtesy The Next Web

The story of how I acquired a Kindle is best told in person, so it will not be reiterated here. Having spent about a week with the device, I can safely draw two conclusions about it:

Yes, it’s a great way to get books & stories to people on the cheap with convenience and a bit of flair.

No, it will not replace printed books.

In a bit more detail, e-readers like the Kindle have made it easier than ever for people to both produce and acquire new stories to enjoy. The readers (the people, not the devices) can access libraries of books, reams of text, from just about anywhere, even on the 3G-less WiFi versions. Catering to a wide variety of tastes and interests just like your local bookstore does, without the hassle of actually travelling to and from said store while balanced with a lack of things I’ll get to later.

As for the writer, those interested in making a foray into self-publishing have never had it more easy. You can finish a final draft (or what you think is a final draft), set a price point, hit Upload and BAM, instant readership. Only that’s a lie. You need to promote the work yourself, without the help of others from a publishing firm or an agency. And speaking of agencies, unless you hire an editor (other than your mother) it’s unlikely you’ll get many favorable reviews to help drive your sales. This is also a problem for those authors that do edit their work, because for every well-polished gems there’s at least a couple dozen unrefined turds sitting in the e-store. Which leads us back to promotion and marketing of one’s own work. Self-publishing’s been discussed more extensively elsewhere, so point your eyeballs in this direction for more on that.

As to why the Kindle will never replace the actual printed word, as much as I appreciate the convenience of firing up the device to pick up Margaret Atwood’s Oryx and Crake exactly where I left off, I do find myself missing the heft, the reality, of a real book in my hands, especially when it’s a book on the Song of Ice and Fire scale. Sure, it’s more convenient for flights and busses and whatnot, and this might be yet another indication that I’m quite the old fart, but the weight of an actual text is something of a comfort. I’ve been interested in the written word for as long as I can remember, and as much as I’m glad to see technology like the Kindle around, I’m not going to give up buying actual books any time soon.

After all, when December rolls around and the cataclysm takes place that rends modern society asunder, we won’t have much power for Kindles and we’ll need to rely on old-fashioned dead trees, won’t we? And not just for reading.

I say we burn the books of Stephanie Meyer, Richard Knaak and Glenn Beck first. Gotta cook our post-apocalyptic mutant rat steaks somehow, right?

The Reality of Fantasy

Courtesy HBO

Fair warning, would-be writers: if you’re good at what you do, somebody somewhere’s going to want to hurt you.

Having finished George RR Martin’s A Storm of Swords last night, more than once I wanted to reach through the pages, grab the man by the beard and give him a couple of shakes for what he was doing to his characters. At the same time, though, I understood why I felt this way and why it was a good thing. He’s introduced and developed these people in such a way that we can’t help but care about them. He also knows that tragedy is nothing without comedy, and balances the beard-throttling moments with ones that nearly had me in tears, either from heartwarming relief or genuine laughter.

This is, honestly, something toward which every author of fiction should aspire. Especially in a genre like fantasy.

The entire series of A Song of Ice and Fire is an evolving ur-example of several things writers should do, and at least one they should avoid. The problem with a lot of fantasy books and stories is that the fantastical elements take center stage. If your hero is only interesting because he’s “the chosen one” meaning he’ll be riding dragons, overthrowing evil sorcerer-dictators and making out with hot elf chicks (because every fantasy protagonist needs a hot elf chick, right?), he’s not all that interesting. Now, if he’s a disenfranchised son of a noble jerkass who didn’t raise him entirely right, or if the dragon he’s ‘destined’ to ride doesn’t want anything to do with him beyond perhaps eating him, or if he is, in fact, a she… that changes things.

I firmly believe that characters are the foundation of any good story. Sure, you might have a neat premise or background for your narrative, the idea of turning genres on their ears or taking an old story in a new direction, but without good, solid characters it’s going to be a lot of sound and fury. When you’re getting ready to start down the track of telling a story, take the time to develop your characters beforehand. Give them backgrounds, envision their family lives before the story begins, draw their connections to one another. As the story proceeds, let them develop on their own. Rather than determining every single reaction beforehand, try letting the reactions grow out of the action as you write it. I think you’ll find the results surprising, and it will let the narrative become its own creature, free of the expectations of whatever genre you happen to be in.

Of course, this could be an entirely backwards way to do things. I still don’t think fantasy should be all about the sword and sorcery. The story’s true power and magic come from the people weilding those swords, and casting those spells.

If you want to cast a spell of your own, look to your characters first.

Snowblind

I’m a little sore.

Mostly it’s from being behind the wheel for the better part of twelve hours, but some of that time was occupied with attempting to get my car out of a ditch. A perfect storm of lake-effect snow, high winds and nearly bald tires caused Vera to lose her grip on the road. Vera, for the uninitiated, is my 2004 Honda Civic. We eventually got winched out and were able to complete our journey to Kitchener, Ontario. But it was still a harrowing experience.

My father-in-law gave me a touch of advice: “Next time you wipe out, look to where you want to go, your brain will follow you.”

As I was trying to get Vera out of the ditch, I was wondering if there was something to learn from the experience, other than keeping your car well-repaired and being mindful of weather conditions while you travel. During the drive north I replayed the incident, not only looking for mistakes I might’ve made but also for lessons to learn and convey. This little snippet, however, sums it up nicely.

I’ve always been better at visualizing the endings and climaxes of stories than writing the middle. It took me some time to realize that such visualizations need not be ends in and of themselves. The means are just as important, and the path from where you begin to that ending need not necessarily be straight. In fact, it probably won’t be. Characters are going to change and an event’s flow might slide unexpectantly even as you write it.

Keep your eyes on where you want to go and you’ll get through it.

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