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Back From The Dead

Cover of Cold Iron

For a very long time indeed, the price of Cold Iron remained at a mere 99 cents, just shy of a full United States dollar. I put my only published work ‘on sale’, and never rescinded that status. I got caught up in other events, life and love and loss and learning, and that price remained a measly 99 cents, and the book itself went without promotion.

Until now.

I wish I had some sort of fancy new edition to tempt you with. Maybe some crib notes or a better sample chapter from the sequel, Bloody Streets. But, no. The song remains the same. So, why should you lay down not one but FOUR hard-earned American bucks to read just under 200 pages of what one reviewer calls “supernatural hardboiled fiction”?

Well, those three words alone might have sold it to some of you, so by all means…

Anyway, things have changed since Cold Iron was first published. Handheld devices are, somehow, even more ubiquitous than they were just three years ago, and the Kindle app is free on any device you care to name. Except, maybe, GameBoy Color or the NeoGeo or something. Point is, you can read it even if you don’t own an actual Kindle. But that’s just the mechanics of it. What’s the essence of it, the thing that I feel should pull you into the tale?

Let’s start by saying that, despite a “20 minutes in the future” setting and all sorts of supernatural trappings, this story (like all good stories) is about people. The main people here are our two protagonists, Morgan and Seth. Morgan is a female homicide detective working in Philaelphia. Seth is a man of Egyptian lineage who finds himself alive and awake 35 years after his apparent murder while he himself was working as a detective.

I’m going to pause in the pitch and say that this is a novel of hardboiled urban fantasy, not an urban fantasy romance. Okay? Okay. Let’s move on.

So you have Seth trying to figure out why he didn’t stay dead. As he does, bodies turn up in his wake, which means Morgan has to investigate. And then there’s the things Morgan usually deals with on a night-by-night basis. I make it a habit not to say up-front what those things are, as it’s an unknown to Seth at the start, but considering I wrote Cold Iron in the midst of a huge torrent of Twilight‘s bullshit, you can probably take a wild guess and be relatively correct.

That’s my pitch for Cold Iron: it’s short, punchy, diverse, fast-paced, and it never assumes you, the reader, are an idiot.

Why did I bring its price up and start singing its praises again?

Well, I’m a writer. And I want to get paid for writing.

I have a sequel, Bloody Streets, in need of some cover art and design. I have the perfect photographer in mind, and I’ll be tapping the same designer who did Cold Iron, so I know what my budget needs to be. And there is no way I am making that much spare cash as a barista.

I do have some Magic cards and role-playing game books to sell, but those are temporary measures, and I want to build something more sustainable, something with growth potential. I also want to do some brand-building, which hopefully will escalate between the novellas, Innercom Chatter, and Coven, later this year.

I’m curious to see what will happen. Is a little written entertainment, especially in a genre like this one, worth the price of a latte to you? Find out. And feel free to leave a review behind, too. No matter what it says.

Twenty Sixteen

I’m not big on New Year’s resolutions.

I mean, I get the concept. Setting a goal for the year ahead isn’t a bad thing in and of itself. Admirable, even. The problem I see is that few people really commit to changing themselves. Gym memberships go unused within a month or two, new diets get abandoned, so on and so forth.

I’m not saying I’m some sort of self-help guru, over here, but the reason I don’t make big New Year’s resolution posts is because I don’t want to be caught up in my own hypocrisy. I’ve had enough of that problem to last a lifetime.

I’ve been ‘away’ for a while. I’ve been dealing with traumas both recent and ancient, processing a lot of raw emotions, and committing myself to change, in a very real and visceral sense. And believe me, I get why people stop going to the gym or reach for the Cheetos or cigarettes after a few weeks of enforced misery. This shit is hard, dude.

While I’ve let things like this blog and my novel-writing fall by the wayside, I can say that I haven’t been sitting idle. My ongoing process in self-exploration and self-actualization is being chronicled in Innercom Chatter (which has its own Facebook page), and that project is going well enough that I can see it going beyond its individual posts. I’ve also written some poetry. I suspect I’ll write more, as it keeps the wheels greased, at least.

And I haven’t forgotten about my other writings. I intend to post an update about my novellas, with the aim of getting Bloody Streets up and purchasable by spring. And Coven? It’s my goal to have at least a draft readable by beta readers by summer, and a manuscript out to agents by fall. Getting back into the groove with it has been very difficult, and while I know I brought my own momentum to a screeching halt even before my life fell apart, I still think I made the right choice to ensure this story stands out, that it hits readers where they live, and, in the end, will leave them wanting more.

There’s a possibility for fan fiction or other projects, as well, but I don’t know how much energy I’m going to have in the weeks and months ahead, and I’m trying to spend it more wisely.

I live with bipolar disorder, crippling anxiety, a nasty habit of overthinking, and massive amounts of grief every day. Corralling the head weasels takes time and effort. I’m getting help, and hopefully will soon manage things a bit more smoothly and give myself more room for projects, but for now, I’m working with what I’ve got. And I hope you will continue to bear with me.

2016 is the year I take my life back, and finally accomplish what I’ve been meaning to do since I first read The Cat Who Walks Through Walls.

If I were into resolutions, that’d be the one.

Returning to Flash Fiction

To say that things have been in upheaval lately would be an understatement. Things like “returning to a regular blogging schedule” and “maintaining a solid fanbase” have been something of a lower priority as I’ve sorted out housing, managed my barista schedule, and generally gotten more settled into this next phase of my life. How I got here isn’t a happy tale, nor is it a finished one – but who among us can say that our story is actually finished?

Anyway. It’s been one of the longest traditions of this blog to respond to the Flash Fiction Challenge over at Chuck Wendig’s Terribleminds. It shows up on most Fridays, provided Chuck isn’t gallivanting around the country or writing award-winning novels. Even then, he tends to be pretty good at planning his posts ahead. Better than some of us, for sure.

So a good place for me to begin in trying to do likewise, and return Blue Ink Alchemy to a regular schedule, seems to be writing up some Flash Fiction. I turned my browser to Terribleminds, and instead of a full-length post, 500-100 words, this week the challenge is to write a tweet. Hence this verbose forward to what follows! At 131 characters, here’s how I contributed to the Tales from Black Friday.

The number of dead, trampled, and broken don’t matter.

The sale purchases do.

And at 666, THEY will arrive.

#talesfromblackfriday

You can see the actual Tweet here.

From The Vault: Fan Fiction Is Not Evil

Since one of my irons in the fire (more on that later) is now a fan fiction project, I thought I’d revisit my thoughts on the subject.


Courtesy motifake.com

That little piece I wrote yesterday for Chuck’s latest challenge is fan fiction. I’m comfortable with that. I don’t think there’s really anything wrong with fan fiction, per se, and I’ve discussed it in the past. I think there’s something wrong with it, though, when it’s done badly.

I know that fan fiction can carry a bit of a stigma. For some, there’s a stereotype attached to it, which I will address. However, we’ve already established that writers are dirty thieves. Fan fiction is work that simply admits to said thievery. It makes no bones about being built around an established IP. And it takes a lot of the grunt work out of writing especially in speculative fiction. The setting, mood, nuances and themes are already established, all the writer has to do is give the characters motivation and voices.

There’s a market for it, as well. You don’t even have to change the names or locations or structure of the established world, as Ben Croshaw did for Mogworld. Timothy Zahn, Peter David, Michael Stackpole, R.A. Salvatore, Weis & Hickman, Diane Duane – these are all authors who have published incredibly successful novels that are, for all intents and purposes, fan fiction. The fact that they have been sanctioned by the creators or even worked into established canon must only be icing on the cake for those authors. It’s why I feel we shouldn’t be ashamed to consider such works as viable forms of fiction.

This doesn’t mean that all fan fiction is good, though. Not by a long shot. The stereotype I alluded to is that of a lonely amateur writer dashing out a story in an established universe where a previously unknown character comes along, changes everything and escapes any sort of repercussions for actions that normally would have them dragged in front of military tribunals. The dreaded Mary Sue phenomenon can make people afraid to even touch fan fiction for fear of being associated with such blatant and odious authorial crutches. Most of the time, if someone is doing this to an IP, they’re doing so while also making full-on assaults on grammar and even spelling. It’s why some people will turn their nose up at the mere mention of the words “fan fiction.”

The thing is, though, nothing is automatically good or automatically bad just because of its associations. Oskar Schindler was associated with the Nazi party but was a good man. The Fantastic Four are associated with the same brand bringing us The Avengers but those movies were pretty bad. By the same token, there’s no need to blanketly declare that fan fiction is evil or even bad. Bad writing is bad writing no matter what it’s based upon, and as long as the criticism is focused on that and not its basis, I say fire away. Just take things on a case by case basis. Start making blanket statements, and the next thing you know, you’re running for public office.

Impala Nights: Part 1

I’m not the kind of guy who likes surprises very much.

I never had much in the way of birthday parties to begin with, but surprise parties in particular always rubbed me the wrong way. I mean, you want to celebrate my life by trying to scare me to death? No, thank you. It’s really difficult to prepare for that sort of thing if your friends are any good at keeping secrets.

And for a wizard, especially a professional one like myself, preparation is the name of the game.

The old house creaks under my feet as I make my way through it. I whisper a word to light the wick inside of the lantern I’m carrying, and pale orange light spills out into a circle in front of my on the floor. It’s something Bob the Skull helped me whip up, an old “bullseye” style lantern, with a minor enchantment that let me see ghosts and pierce minor veils. The word is that there have been a bunch of disappearances around the house, which is in a run-down neighborhood situated between downtown Chicago and one of its suburbs. It’s one of those areas you just keep driving past if you know what’s good for you.

But when you’re Harry Dresden, and someone pays you to look for their lost child in a place the police are unwilling or unable to go, you really don’t have that choice.

I make a face as the heat from the lamp starts cooking some of the dust on the floor and in the air. There’s a musty smell about the place in general, and the sudden heat source doesn’t help to abate that. I’m used to foul smells, but I wish I wasn’t. I’d much rather be back in my lab, helping Molly do some research into her father’s sword, Amoracchius, and trying to coordinate some of the activities of the Gray Council of which I was now apparently a founding member. I have a lot of things to deal with in my world, from vengeful vampire lords to ancient magical conspiracies, and this is taking time away from them.

All thoughts of the world outside of the house go flying out of my brain, though, when I step into the basement.

The world goes… weird. I feel off-balance, sick to my stomach, and get a headache, all at once. It lasts for a few interminable moments. Then, it’s gone. I blink, shake my head to clear it, and raise the lantern to look around.

The basement’s a basement. Cobwebs, mostly empty shelves, creepy corners. I turn, and look at the stairs I just walked down.

The stairs are collapsed.

They hadn’t made a noise. I shine the lantern into the threshold. There’s just enough room for me to step back through. I do, and the vertigo slams into me again. Once I recover, I’m looking up the stairs I’d just walked down, whole and intact. My brain finally gets through its warm-up cycle and I realize where I’d felt those things before.

The first time I’d ever used a Way into the Nevernever.

This was different, though. The Nevernever has a very particular feel to it. Stepping through (retch) a second time, it still feels like the real world once I recover. I walk through the basement to the storm doors, up the stairs and out, and look around. It’s the same neighborhood, still a Chicago no-mans-land, and nothing in my natural or wizardly senses tells me it’s an illusion or a construct. It’s real. Just… different.

“I hate surprises,” I say to myself.

As if in response (me and my big mouth), a engine rumbles up the drive on the other side of the house.

I stay low, and I Listen. The night’s relatively quiet, with just a couple of crickets that were silenced when the big car, some classic muscle-style beast, rumbles to a stop on the driveway. The engine sputters to silence, and I hear two doors open and close.

“Look, I don’t want to talk about your anger issues, okay?” The first voice is on the gruff side, and clearly annoyed. “I’m not your damn therapist.”

“No, you’re not.” The second voice is more refined, collegiate, but also exasperated. “You’re my brother, Dean. And you’re the only one I can talk to about this sort of thing.”

“You really want to keep doing this? Huh? In case you’ve lost track because you’ve been too busy flying over the cuckoo’s nest, we have a fucking Apocalypse to stop.”

There’s a pause.

“Then what are we doing here, Dean?”

“The last place we stayed at said that this house is where people have been disappearing. Come on, Sam. Some classic, old-school monster-hunting. Just what you need to put that anger to use. It’s what I do.”

“Yeah. And you’re so well-adjusted.”

There’s an audible shrug. “At least I’m not bitchin’ about it constantly.”

“And that’s healthy.” Sam sighs. “All right, come on.”

They come around the corner, flashlights in hand. Guess who’s standing there out in the open.

“Hi,” I say conversationally. “You boys lost?”

I lift my lantern to get a look at them. One’s tall, over six feet, with a lanky build, stylishly long dark hair, and a somewhat pained expression, probably from the end of that conversation. The other, shorter guy is built more like a boxer, all compact muscle and attitude, with close-cropped hair and narrowing, suspicious eyes. I know what they’re seeing, too – the silhouette of a guy in a leather duster holding a bullseye lantern in his right hand, and leaning on a large staff held in his left.

“Um. No.” The shorter one’s eyes narrow even more. His voice pegs him as Dean. “We’re… just passing through.”

“We saw your light,” says Sam. “We got curious.”

I make a face. One of those you boys are full of it faces. Molly says I’d make a good parent, with faces like that. I shudder to think what I’d be like as a parent.

“Well, then, you can keep passing. This isn’t something you guys want to be involved in.”

“Really?” Sam looks incredulous. I don’t blame him – I would, too.

“Really. There are monsters out here. Ghosts, at the very least.”

Dean nods in my direction, smirking. I can smell the smartass comment coming before he speaks. “So you, ah, watch that Ghostfacers show?”

“I don’t own a TV,” I say. “All I know is, I walked out of that basement in a city that isn’t mine, with my car nowhere in sight, and Goofus and Gallant rolling up here talking about the Apolcalypse.”

The young men stare at me.

“So,” I continue into the silence. “How about you leave the monster-hunting business to the professional wizard, get back in your car, and drive on down the road.”

“Wizard,” Dean repeated. “So… you’re a he-witch?”

I blink. “A what?”

Dean doesn’t let me clarify further.

Instead, he shoots me.

DISCLAIMER: This is a work of fan fiction. Harry Dresden and all attendant characters, locations, and creatures are property of Jim Butcher. Dean Winchester, Sam Winchester, and all attendant characters, locations, and creatures are property of Supernatural. Please support the official releases of both properties.

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