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Return of the Jedi (or possibly Sith)

Courtesy LucasArts

Maybe it’s because I’m hopeful Guardians of the Galaxy evokes the old feelings of wonder that came with A New Hope. Maybe it’s the discovery of the excellent X-Wing Miniatures game. Maybe it’s just nostalgia. But whatever the cause, I have been on a sizable Star Wars kick lately, and a big part of that is the time I’ve been spending in Star Wars: The Old Republic.

I did a first impressions post a few years ago when the game was in beta, and upon reflection, I ended up being a bit harsh in the name of blunting my nostalgia. I think leaning towards objectivity is good for anybody looking to present a review of entertainment for a wide audience, but I think it would have been okay if I had talked more about my curiosity and excitement about a new facet of the universe opening up and less about the clunky mechanics and the opinions of non-fans.

Playing it now, I’m definitely hooked. I’m curious to see where the various stories go. I’m doing my utmost to avoid spoilers, and I’m actually enjoying the quest structure. It doesn’t feel like a grind – I’ve never had more than two or three quests in my log at any given time. “Kill X amount of Y” only pops up as a bonus, and since I get jumped by uppity bunches of Y on my way to the objective anyway, why not pull in a little extra XP? It does still have a lot of mechanical similarities to World of Warcraft, but the little differences do more than their fair share in setting the game apart. The bottom line is, even moreso now than back in the game’s beta days, I see potential.

I think that’s been what keeps Star Wars a positive thing in my mind. For all of its flaws and missteps, the universe Lucas created has always contained the potential for truly great storytelling. The military sci-fi bent of Rogue Squadron stories, the antiquated feel of Tales of the Jedi, the way Dark Forces felt like so much more than a DOOM clone because you were stealing the Death Star plans… I could go on. Lucas may not be the best director or a very good scriptwriter, but the seeds he sowed almost 40 years ago were in very fertile ground indeed.

I’m interested in exploring the Edge of the Empire RPG, probably after I move, if I can rope my new housemates into it. I’m expanding my collection of X-Wing Miniatures. I’m going to play a lot more of The Old Republic. And I am keeping a wary eye on this new film of theirs. While I don’t agree with the official word ejecting the expanded universe as canon, JJ Abrams has always been more of a whiz-bang director than the intellectual contemplation that Star Trek really demands. In spite of my cautious curiosity, though, one thing is certainly clear.

Star Wars is back in my life. I enjoy Star Wars quite a bit. And there’s nothing wrong with that.

Ongoing Progress

Test Pattern

I will be the first to admit that I am a work in progress. The person I am now is not the person I want to be, and I have goals I continue to work and struggle towards. The work is not always clean, and nowhere near as ordered as I would like. Change does not happen overnight. I still have a solid idea of how I want my schedule to look, but I can’t flip a switch and make that happen, unfortunately.

With a pending cross-country move, loose ends to tie up here, and all sorts of other obligations and diversions, it’s been difficult to nail things down and stick with them. More than anything, though, I’m trying not to focus on my failures. I’d much rather spend my time setting up for future success, even if it means my goals aren’t being realized as expediently as I would like.

I’m simply trying to keep myself honest and moving forward. Not to mention sane. I’m hopeful that, by this time next month, the path forward will be clearer, and something that I have defined for myself.

It’s never too late to start over, to try again. It’s only quitting if you stop trying.

Is Social Media A Necessary Evil?

Courtesy andrebarcinski.blogfolha.uol.com.br

Social media, and our means of interfacing with it, continues to grow. From evolving platforms like Fourspring becoming Swarm, to applications proliferating all over phones and tablets, it feels almost like an infiltration. Lives have been changed because of social media, even damaged. It could be argued that social media does more harm than good. But is that really the case?

Digial delivery systems for media, be they stories or critiques or commentary or something entirely new, require unique methods of finding audiences by their very nature. Most up-and-coming content creators do not have the capital to line up advertising budgets. Success and failure depends almost entirely on word of mouth. The nature of the Internet, and by extension, social media, means that those words can be transmitted to a multitude of ears far more efficiently and quickly than normal modes of conversation. 140 characters may not sound like much, but with persistence and the right timing, they can be just as effective as the biggest billboards lining a superhighway.

There’s also the fact that social media allows people to remain in touch over very long distances and through shifting circumstances. Moreso than phone or emails, social media allows for immediate connections, and immediate feedback. That’s part of its power, and a big portion of its curse. You can’t take back what you say, especially on social media. The more you try to cover up or remove, the worse things look for you. Just ask any number of the independent game developers that try to make negative reviews of their games go away.

In the end, social media is a tool. For connectivity, for promotion, for information – it is a means to an end. Those ends can and do vary from person to person, from goal to goal. It is difficult for me to believe that any permutation of social media was created with any sort of malicious or damaging intent. Like so many things on the Internet, we’re talking about about information. Information, if you’ll pardon the old cliche, is power. The uses and abuses of that power are their own animals. Social media itself is not to blame. I cannot subscribe to that interpretation.

That said, it can impede things. It can distract, detract, and even disrupt. Sometimes, stepping away from the whole mess is the correct course of action. I don’t think anybody can or should be blamed for making that decision. However, for all of its flaws, all of the dust-ups and all of the feet finding their way into mouths, social media is not the enemy. I find it hard to believe that a tool that keeps people connected, spreads unfiltered information, and allows for new breeds of entertainment to find voices they wouldn’t otherwise, has something inherently wrong with it. I know some would call social media a ‘necessary evil’. But I am not sold on the ‘evil’ part.

Bring Out Your Dead

Courtesy HBO & GRRM

Writers are murderers. This is an established fact. But I would contend that only bad writers kill characters on a whim, “just because”. If you look at good writing, a character death is never accidental, never flippant. It’s a calculated move. And, if you’re attached to said character or characters, after the initial shock, if you think about it, you can nod and say “Yes, that was a good death.”

Spoilers ahead, obviously.

Spoiler
Quite a few character deaths are, unfortunately, are a means of raising the stakes. Joss Whedon has a habit of doing this. From Shepard Book and Wash in Serenity to Coulson in The Avengers, the death of characters is a sudden gut-punch that knocks the wind out of the audience for a moment and demonstrates that things are serious, and deadly. Our pathos shoots up for those left behind. We feel raw loss at the same time as the surviving characters, and while this can sometimes feel like manipulation on the writer’s part, the effect is undeniable.

Character deaths are even better when they are the result of character decisions and actions, cause and effect, leading to that terminal point. I think of The Wire as a good example of this. Some of the character deaths may seem senseless, in one case even random, but a moment’s thought puts the violence in context, and the realization comes that every bullet is the final result of a series of choices made by the characters. Especially since good writers go out of their way to realize their characters as people, we can understand why those decisions were made, even if we don’t agree with them.

A Song Of Ice And Fire is notorious for character deaths, but here is another example of characters dying more as a result of deicions made by themselves or others, rather than seemingly at the whim of the author. The deaths are just as calculated, but the arithmetic is obscured by deep characterization and excellent dialog. Consider the death of Tywin Lannister. Here is a man who had power and ambition, but also cunning and charisma. He definitely made enemies, and burned a lot of bridges, but for a while, he seemed almost untouchable. But many of the decisions he made were disadvantageous for his second son, Tyrion. He underestimated the fury and calculation of his malformed child, and even when the terminal point was reached, Tywin’s pride does not allow for him to do anything other than confront Tyrion directly and boldly. Neither man backs down and, in the end, it’s the one with the crossbow that walks away.

So. Character deaths. Let’s talk about them. What has stood out in your mind as a good death for characters? Which have seemed pointless, or badly executed? How powerful is death when applied from a writer’s toolbox?

500 Words on Marvel

Courtesy Ms Sackhoff's Twitter

As I write this, San Diego Comic-Con, arguably one of the biggest gatherings of so-called ‘geeks’ or ‘nerds’ in his hemisphere, is taking place. The Marvel panel is, I believe, tomorrow, and there are likely to be announcements as to what is coming up for the studio behind The Avengers and Agents of S.H.I.E.L.D.. I have this feeling of both excitement and trepidation. As much as I like what Marvel has done and is doing, I have some fears about the future.

Guardians of the Galaxy looks amazing. I’m intrigued by the implications of the plot being developed for Avengers: Age of Ultron. And the mere mention of a Doctor Strange film might elicit what can only be described as a ‘squee’ from Yours Truly. But in the midst of all of this, I have yet to see Marvel do something to truly push them into the forefront when it comes to universal appeal in excellent entertainment.

Marvel needs a solo female lead.

There are a few female characters that have shown well-rounded characterization: Pepper Potts, Natasha Romanoff, Maria Hill, Melinda May, etc. But none of them have carried their own story yet. In this, and pretty much this alone, Marvel and DC have something in common. While DC is still struggling to carve out its own identity, as they try keep pace with Marvel as well as emerging from the shadow of Nolan’s bat, Marvel distinguishes itself in almost every other regard.

This is also an issue when it comes to characters of color, but with the Falcon being such a breakout star in Captain America: The Winter Soldier, and The Black Panther all but confirmed, I feel it’s been more addressed than the issue of a solo female lead. I would love to see it happen. And I would dearly love for it to be Captain Marvel.

Carol Danvers is one of my favorite ladies of Marvel. Kelly Sue Deconnick’s take on her in particular is an absolute delight. Despite being imbued with superpowers and having worked in the male-oriented military for so long, Carol is still very much her own woman, and a very human character. The image above, envisioning the incomparable Katee Sackhoff as Carol, fills me with hope. I know it may be a long shot – Fiege and company have yet to really address things – but the idea remains.

Another idea occurs: what if Doctor Strange was female?

While we’re talking about dream casting, if Strange remains male, I’d love to see Oded Fehr play the role. He has charisma, gravitas, and he breaks the mold of stereotypical white male protagonism. However, a female Strange would be excellent. Can you imagine a Sorceress Supreme battling cosmic forces that break the minds of lesser humans?

And what about Gina Torres or Aisha Tyler as She-Hulk? Think about it.

This is all speculation, but honestly, Marvel needs this. DC would have no hope of catching up.

Until Orci & Kurtzman write Iron Man Into Darkness, Make Mine Marvel!

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